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The Well-Spoken Thesaurus

The Well-Spoken Thesaurus

The Most Powerful Ways to Say Everyday Words and Phrases
by Tom Heehler 2011 400 pages
4.17
316 ratings
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Key Takeaways

1. The Profound Influence of Words: Shaping Self and Others

Words are like little gods.

Words define us. The language we choose profoundly impacts our self-perception, our confidence, and even the very structure of our brains. It determines how we interpret reality and influences our political leanings. The author's journey to articulate speech began with a personal realization of his own inarticulateness, underscoring the transformative power of conscious word choice.

Shaping others' perceptions. Beyond self-definition, our manner of speaking is the primary factor through which others form assumptions about us. Well-spoken words are essential for achieving greatness, as evidenced by historical figures like Lincoln, Churchill, and Obama, whose legacies are inextricably linked to their powerful rhetoric. This creates a self-fulfilling prophecy:

  • High expectations lead to improved performance.
  • Improved performance reinforces higher expectations.

A powerful motivator. When others perceive us as knowledgeable and informed due to our articulate speech, we are compelled to rise to those expectations. This inherent human need to meet rising expectations drives continuous self-improvement, making the pursuit of eloquence a powerful engine for personal and professional growth.

2. Eloquence Beyond Vocabulary: The Art of Subtle Wordplay

It’s not so much the words we use, as it is the way we use them.

Simplicity with sophistication. True eloquence isn't about deploying obscure, professorial words that risk sounding pretentious or awkward. Instead, it's about using ordinary language in extraordinary ways, making simplicity sophisticated and giving everyday speech a timeless, poetic feel. Barack Obama, for instance, is celebrated for his articulation without using words a child couldn't comprehend.

Avoiding pretension. Many attempt to impress with lofty vocabulary, often achieving the opposite effect. This book aims to help readers achieve an authoritative and persuasive presence without the awkwardness of forced formality or intellectualism. The goal is to be regarded as the smartest in the room, but without any trace of pretension.

The author's journey. The author's own struggle with inarticulateness led him to collect eloquent words and phrases, pairing them with common alternatives. This personal quest highlights that mastering articulate speech is a process of trial and error, requiring dedication to find the right fit for every expression.

3. Transforming the Ordinary: Infusing Poetry into Prose

Certain everyday words are poetic too.

Poetry in the mundane. Poetry isn't confined to rhyming verses; it's the feeling evoked by words and the things they represent. Even seemingly insignificant words can carry poetic weight, transforming a mundane sentence into something striking. The book demonstrates how subtle alterations can elevate prose, even in a business memo.

Eliot's subtle magic. T. S. Eliot's use of "of" instead of "about" in "The Love Song of J. Alfred Prufrock" exemplifies this. "Talking of Michelangelo" carries a different, more poetic resonance than "talking about Michelangelo." This technique involves:

  • Dropping unnecessary words like "of" or "is."
  • Replacing common intensifiers like "very" with "-est of" constructions.
  • Substituting prepositions to create a fresh feel.

Beyond simple replacement. The lessons extend to more than just direct substitutions. They involve omissions and structural changes that imbue sentences with greater impact and elegance. For instance, replacing "Her continued absence is regretful for us all" with "Her continued absence is a source of regret for us all" adds depth and formality.

4. Engaging the Reader: Harnessing Figurative Language and Tension

When a writer—or director—does this, when she compels her readers to think of concrete things in abstract ways, she becomes less a writer of one-dimensional stories and more a writer of literature.

Converting the figurative. Margaret Atwood masterfully takes common figures of speech and interprets them literally, creating a "breath of fresh air" for the reader. This technique challenges conventional understanding, forcing the reader to engage more deeply with the text. For example, transforming "falling in love" into "now I always work with a net" makes the abstract concept tangible and intriguing.

Creating abstractions. Cormac McCarthy excels at turning concrete objects into abstractions that evoke deeper meaning. A character's shadow can become a "harbinger of impending doom" without explicitly stating it. This method:

  • Compels readers to think abstractly.
  • Elevates stories to literature.
  • Adds layers of meaning and foreboding.

Rhetorical tension. E. B. White's prose, like Beethoven's Fifth Symphony, builds and releases tension quickly, creating a satisfying, musical effect. This isn't suspense, which prolongs uncertainty, but a deliberate rhetorical foreplay that provokes questions and invites wonder, only to resolve them swiftly. This technique draws readers into the narrative by mirroring real-life cognitive processes.

5. Mastering Nuance: The Strategic Power of Small Words

The words “the” and “a” are surely the least regarded words in the English language.

Poetic articles. Norman Mailer demonstrates that even the most overlooked articles like "the" and "a" can become poetic when strategically omitted or included. Changing "the texture of fine Swiss cheese" to "the texture of a fine Swiss cheese" adds a subtle, yet distinct, aesthetic quality. Similarly, omitting "a" from "known as a coma" to "known as coma" removes cliché and adds impact.

Creative number. John Steinbeck's "Creative Number" technique involves altering plurality to give prose a special feel. Changing "where the toads lived" to "where a toad may live" makes the description more specific and interesting, defaulting to the singular tense when occasion permits. This specificity often carries more interest than generalities.

Creative prepositions. Henry James and Ernest Hemingway, despite their stylistic differences, both understood the power of creative prepositions. Replacing "what was on his mind" with "what was in his mind" destroys cliché, adds a haunted feel, and creates an opposing foil. Similarly, "in the night" instead of "at night" adds a poetic touch, demonstrating that even these small words can profoundly impact tone and meaning.

6. Avoiding Rhetorical Pitfalls: The Seven Sins of Communication

Your efforts in reducing the frequency with which they occur are greatly appreciated.

Common communication offenses. The book identifies seven rhetorical sins that undermine effective communication, urging readers to reduce their frequency. These pitfalls detract from clarity, impact, and authenticity, making prose less engaging and often irritating to the reader. Avoiding them is crucial for becoming truly well-spoken.

The seven rhetorical sins:

  • Melodrama: Exaggerated emotionalism, like "The sea was angry that day, my friends."
  • Needlessness: Including superfluous words or details, such as "The Sound of Complete Silence."
  • Cliché: Overused expressions that lack originality, like "his heart would break with sorrow and terror."
  • Pretension: Using overly formal or gender-biased language, such as "man" instead of "humankind."
  • Craftiness: Manipulative language designed to sow division or exploit fears, often seen in propaganda.
  • Perkiness: Excessively cheerful or informal tone that can be "insufferable."
  • Wordiness: Using too many words when fewer would suffice, even by great writers like Henry James.

Cultivating mindful expression. By recognizing and actively avoiding these common errors, writers and speakers can elevate their communication. The goal is to be clear, impactful, and authentic, rather than falling into habits that alienate or bore the audience.

7. Vocabulary as Vision: How Words Reshape Reality

The introduction of a single word into your vocabulary can transform the way you perceive reality.

Words as lenses. Our vocabulary acts as a lens through which we perceive and understand the world. Without a specific word or concept, our minds "paper over" what they don't understand, limiting our perception. The example of "predator" shows how knowing a word allows us to group animals (eagle with bear) in a way children without that word cannot.

De-familiarization. Understanding literary terms like "de-familiarization"—anything a writer does that is unusual or out of the ordinary to grab attention—can change how we interpret events. For instance, the Vice President's use of an expletive might be seen not as a gaffe, but as a deliberate act of de-familiarization to emphasize a point, as Barack Obama does in Dreams from My Father to convey indignity.

Unlocking new understanding. Acquiring new words forces the mind to stop conforming to existing knowledge and to see new phenomena. This rhetorical awareness allows for a deeper, more nuanced understanding of reality, revealing possibilities and interpretations previously unseen. It's about expanding one's cognitive toolkit to perceive the world more fully.

8. The Powernym Approach: Elevating Your Everyday Expression

No conventional thesaurus can do that. No vocabulary builder. No style guide.

Beyond synonyms. The book introduces "powernyms"—words that are not merely synonymous but more powerful and rhetorically related to the intended meaning. This approach transforms rough drafts into polished prose, as demonstrated by the book's own preamble, where "be careful" becomes "take care to" and "too much" becomes "an embarrassment of."

Words as spices. The book uses the analogy of words as spices, emphasizing the importance of selecting the proper ratios and flavors. Too much "sugar" (flowery language) leads to pretension, too much "garlic" (academic jargon) makes writing stiff, and too little "salt" (impact) leaves it bland. The key is mindful audience awareness, avoiding serving "vichyssoise to a coal miner."

A learning aid for speaking. While effective for writing, the book is also designed as a learning aid for speaking. It encourages memorizing the most eloquent alternatives, particularly those highlighted in special boxes and as the first option under common word entries. This daily practice, using flashcards, helps integrate these powerful words into everyday speech, ensuring that one is not just well-written, but truly well-spoken.

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Review Summary

4.17 out of 5
Average of 316 ratings from Goodreads and Amazon.

The Well-Spoken Thesaurus by Tom Heehler receives mixed reviews averaging 4.17/5 stars. Readers praise its introductory lessons on writing techniques, featuring examples from famous authors, and its unique approach to elevating everyday phrases. Many writers and students find it invaluable for reference. However, critics note significant flaws including factual inaccuracies, pronunciation errors, questionable word pairings, and print errors. Some reviewers consider it pretentious or better suited for corporate writing than literary purposes. Overall, most readers appreciate it as a useful writing tool despite its imperfections.

Your rating:
4.58
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About the Author

Tom Heehler is an American writer and lexicographer best known for The Well-Spoken Thesaurus, published by Sourcebooks in 2011 and now in its fifth printing. The Chicago Tribune praised it as "a celebration of the spoken word." A distant relative of Funk & Wagnalls co-founder Isaac K. Funk, Heehler has coined literary terms including verb displacement, intuitive description, and rhetorical tension, featured in his book's 50-page style guide. His work has received international attention from publications including The Economic Times and The Times of India. He collects works by philosopher Gottfried Leibniz, inspiring his next book on organized creativity.

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