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When Among Crows
When Among Crows

When Among Crows

A mortal man, a cursed zmora, and a vengeful strzygoń must brave Baba Jaga's deadly trials together.
by Veronica Roth 2024 166 pages
3.72
29k+ ratings
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Summary in 60 Seconds
Dymitr trades a curse-breaking fern flower to Ala, a zmora dying from inherited visions, for help reaching Baba Jaga. With Niko, a strzygoń sworn to hunt the Holy Order, they survive an underground fight, enchanted crows, and Baba Jaga's root-bound trials. When Dymitr's sister Elza attacks, her red palms reveal her as a Holy Order Knight, and his own hands blaze the same crimson. Kneeling before Baba Jaga, he confesses he killed Ala's aunt. He asks not for a monster's destruction but his own: the bone sword in his spine unmade. The witch transfers Ala's curse into his blood. He pulls the blade from his spine. Niko asks her to transform him instead. She takes the sword, he drinks a potion, and wakes with zmora senses that scent emotion. Months later, he meets the forest leszy for a friendly archery contest.
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Plot Summary

Prologue

A leszy11 with a stag skull for a head and flowers blooming in his eye sockets watches over St. Stanislaus Kostka Church on Kupala Night. A mortal man1 enters, smelling of sacred fire with wormwood tucked in his buttonhole. He tracked the leszy11 from the Montrose Point Bird Sanctuary, seeking the fern flower that blooms once yearly and unravels curses.

The leszy11 refuses him three times, then proposes an archery contest: strike the serpent's eye in a wall painting. The leszy11's arrow hits true; the mortal1's arrow hits the serpent's throat. On his knees, the man1 begs to be tested anyway.

The leszy,11 unused to hearing mortals plead, steps aside. A noonwraith12 with a bare rib cage and pulsing black heart materializes. She demands his name. He gives it: Dymitr.1 She magically opens his chest, examines his beating heart, and declares him worthy. He takes the glowing red flower.

May contain spoilers
Analysis

This prologue establishes the cost of Dymitr's quest before its purpose is understood. The leszy, an ancient being who fled the Holy Order's purges, represents the world Dymitr was raised to destroy, yet Dymitr approaches with deference rather than violence. The archery contest becomes a microcosm of his character: he loses the game but refuses to quit. The noonwraith's examination literalizes the story's central question of what truly lies in a person's heart, peeling back flesh to see the organ beneath. Dymitr's willingness to be flayed open, to endure agony for a flower meant for someone else, foreshadows his trajectory from killer to supplicant to something entirely new.

Among the Crows

Dymitr offers a flower in exchange for a zmora's help

Dymitr1 walks into the Crow Theater in Edgewater, a horror movie house that serves as a feeding ground for zmory, creatures who consume human fear. At the adjoining bar, a mechanical witch cackles and the bartender2's too-ancient eyes mark her as not human.

Klara Dryja,8 a zmora family leader, leads him to a projection room where Alien plays below. Dymitr1 unfolds paper to reveal the glowing fern flower and proposes a trade: the flower, which can unravel most curses, in exchange for help finding Baba Jaga.4 Klara8 refuses.

She distrusts mortal men, who summon the Holy Order when they feel cheated. Dymitr1 says he will wait at the Thorndale Red Line stop at midnight. On the dark street afterward, his sister Elza5 confronts him in Polish, demanding to know what fool's errand he is on. He tells her to go home. She does not.

May contain spoilers
Analysis

The Crow Theater functions as a microcosm of creature adaptation to modernity: zmory have commodified fear, turning a movie palace into an emotional buffet ranging from refined tension to cheap slasher scares. Dymitr navigates this space with unnerving calm for a mortal, which disturbs Klara precisely because it defies the predator-prey script she has spent centuries learning. Her refusal establishes the central tension of this world: the Holy Order's violence has made trust between humans and creatures nearly impossible. Elza's sudden appearance on the dark street afterward hints at the family Dymitr is deceiving and the stakes of his secret mission.

Midnight at Thorndale

Ala trades her fighting skills for a chance at a cure

At the Thorndale station after midnight, the bartender2 from the Crow meets Dymitr.1 She is Ala,2 the cursed zmora he was seeking. She shows him her affliction: an illusion of a Holy Order Knight ripping a bone sword from his own spine, then executing a rusalka.

The blade drips blood. The rusalka's head rolls. Dymitr1 does not flinch. He admits he wants Baba Jaga4 to destroy a specific Knight but offers no further details. Ala2 is desperate enough to accept. She contacts a strzyga named Niko,3 who can get them into an underground boxing club where she will fight for entry.

They take a ride-share south along Lake Shore Drive. In the car, they trade memories: Polish Christmas songs, the weight of inherited curses, the mothers who shaped them. Ala2's mother died from the same visions now consuming her.

May contain spoilers
Analysis

Ala's illusion forces Dymitr to witness Holy Order violence from a creature's perspective, yet his composure suggests either profound discipline or something darker. The curse's nature, forcing her to watch Holy Order executions on loop, ties Ala's personal suffering to generational trauma: her grandmother, mother, aunt, and cousin all died this way. Her willingness to fight literal battles for a chance at healing mirrors Dymitr's own hidden trajectory toward self-destruction. The car ride creates a false intimacy between two people who do not yet know how deeply they are connected through shared blood and shared guilt.

A Fingernail's Price

Dymitr sacrifices flesh to pay a strzyga for information

At the converted steel mill, Ala2 fights a strzyga in the boxing ring. She uses layered illusions: first a pleading child, then invisibility, then a chokehold from behind. She wins. Niko Kostka,3 a male strzygoń with bronze owl eyes and a lazy smile, sat with Dymitr1 during the match.

He reveals Ala2 once saved a friend from a Holy Order Knight, and he repays debts. After the fight, the strzyga matriarch Lidia Kostka7 summons them to her private lounge. She senses the fern flower's magic and demands payment for help: a fingernail pulled as a gift born of pain.

Dymitr1 volunteers without hesitation. With a penknife, he loosens his pinkie nail. Niko3 wrenches it free with pliers. Niko3 then flicks the nail, speaks a word of power, and a blinding light explodes. They flee through underground corridors.

May contain spoilers
Analysis

The fingernail extraction is ritualized violence that Dymitr accepts as routine, revealing his desensitization to bodily pain, a conditioning his grandmother instilled since childhood. Niko's dual role as helper and instrument of suffering introduces his moral complexity: he administers pain while positioning himself as an ally. Lidia's demand reflects the creature world's economy of sacrifice, where nothing is given freely and magic requires payment in flesh or secrets. Dymitr's lack of hesitation reads as either profound commitment to his mission or profound disregard for his own body, or both. The blinding flash escape is Niko's own small rebellion against his family's cruelty.

Enchanted Crows Attack

A hidden Knight summons a murder of birds upon them

In the parking lot, strzygi wait for them, but then a dark cloud of enchanted crows descends from the night sky. Ala2 spots a shadowy figure5 by the river performing a blood ritual. She sends illusory decoys scattering across the lot while Niko3 shifts into his owl form, tearing into birds with beak and talons.

Dymitr1 retrieves his bow from the guitar case and fires with lethal precision, arrow after arrow finding feathered bodies. The flock thins. They escape in Niko3's Jeep, blood-streaked and panting.

On the drive, Niko3 presses a knife to Dymitr1's throat, demanding how a mortal recognizes blood magic and summoned crows. Dymitr1 admits only that he wants Baba Jaga4 to destroy a Holy Order Knight. Dawn is approaching. Ala2's curse will surge. Niko3 steers toward a hospice.

May contain spoilers
Analysis

The crow attack is Elza's intervention: a sibling trying to help in the only language she was taught, which is violence. Dymitr's archery skill, honed by his grandmother for the purpose of killing creatures, now protects the very beings he was trained to destroy. Niko's knife at Dymitr's throat marks the first public crack in his mortal facade: his knowledge runs too deep for an ordinary human, and Niko's instincts as a hunter of Knights are beginning to stir. The attack establishes the rhythm of their journey: pursued, regroup, escape, with truth leaking out at each pause.

Hospice Haven

Niko's past and a stolen kiss bloom among the dying

Niko3 drives them to Peaceful Journeys Hospice, run by banshees who feed on sorrow. A sheid named Sha,9 who casts no shadow and hears whispers of the future, grants them sanctuary. Ala2 locks herself in a room as the curse overtakes her, pulling curtains against the dawn.

In the bathroom, Niko3 tends Dymitr1's bandaged hand. He reveals his nature: a zemsta, a strzygoń bound by oath to hunt the Holy Order in vengeance. Male strzygi are rare and sterile, so his people designate one to carry this doomed duty.

Niko3 was not born to it. His mortal mother, terrified of losing him as she lost his father, traded something precious to Baba Jaga4 to change him into something that could survive. Niko3 calls Dymitr1 beautiful and kisses him. Dymitr1 responds, then pulls away.

May contain spoilers
Analysis

The hospice is the narrative's soft center: a place where death is acknowledged rather than fought. Sha's quiet presence, a sheid who fled persecution, wordlessly links creature persecution to human historical violence. Niko's confession recontextualizes his bravado: he is not a natural-born predator but a made thing, crafted by maternal love into a weapon for a war he did not choose. The kiss between him and Dymitr is tender but shadowed by Dymitr's unspoken secrets. Niko's observation that Dymitr contains a deep well of rage is the closest anyone has come to naming what Dymitr actually is.

The Girl He Failed

Dymitr confesses his connection to Ala's dead cousin

While Ala2 endures her visions, Dymitr1 sits beside her bed. He tells her about Lena,10 a young zmora who loved Teenage Mutant Ninja Turtles and dressed as the purple one using her father's necktie as a mask. Lena10's mother was cursed with visions, misdiagnosed as schizophrenia. After she attacked a human, the Holy Order came. Lena,10 a teenager, tried to fight them off with a kitchen broom.

They subdued her and killed her mother in front of her. The curse leapt to Lena.10 Years later, her own father called the Order again, claiming he could not contain his zmora daughter. The same pair of Knights executed her. The curse then found Ala2 in Chicago. Dymitr1 knew Lena10 from school. He visited her in secret. He mourned her.

May contain spoilers
Analysis

This is the story's emotional core: Dymitr lays out the exact architecture of his guilt without yet confessing his own role in the killings. The detail of the kitchen broom as weapon is devastating: a child defending her mother with household objects against trained killers. Lena's father, a mortal who twice summoned the Order against his own family, embodies the betrayal the creatures live in constant fear of. Dymitr's grief is visibly authentic, enough that Ala thanks him despite everything she suspects. His response, that she must never thank him, hints at the specific guilt he still conceals.

Three Confessions

Baba Jaga's roots demand hidden truths to pass

Niko3 drives them to the Uptown Theatre, a ruined 1920s movie palace Baba Jaga4 destroyed in fury after a rival witch tried to steal from her. They pass through a magical wall by closing their eyes. Inside, Niko3 cuts his thumb, touches blood to a stone skull set in the wall, and speaks in Polish to summon the witch.4

Massive roots erupt from the skull's eye sockets, snaking through the decaying seats and binding their legs. A voice demands each offer something they are unwilling to give.

Ala2 confesses she killed her mother, ending the woman's curse-tormented suffering. Niko3 confesses he was not born strzygoń but was transformed by magic. Dymitr,1 pressed, confesses only that he is not an ordinary mortal. The roots withdraw. A paper address flutters from the ceiling into Niko3's palm.

May contain spoilers
Analysis

The Uptown Theatre sequence operates on pure fairy-tale logic: truth as currency, pain as admission fee. Baba Jaga does not want trinkets; she wants the secrets people guard even from themselves. Ala's confession reframes her mercy killing as a burden she has carried alone. Niko's confession reveals his fundamental nature as modification rather than inheritance, making him doubly an outsider among his own kind. Dymitr's half-confession is a placeholder, technically true but strategically incomplete. The riddle of the theatre is a sorting mechanism: only those willing to unmask themselves may proceed to the witch.

Red Palms Revealed

Dymitr's Holy Order stain erupts in battle with Elza

An arrow shatters a streetlight. A horde of upiór, pale hairless vampires with mismatched needle teeth, swarms from the dark. Dymitr1 is pinned to the Jeep's hood, teeth at his throat, when Ala2 slits the creature from behind. Then Elza5 appears, bone swords in both hands, her palms stained the deep red of the Holy Order. She overpowers Niko3 with brutal efficiency.

As she moves to cut his throat, Dymitr1 grabs her dropped second sword and blocks the killing blow. His own palms and eyes flare the same crimson. He is a Knight, Elza5's brother.1 He tells her to leave or die. She sheaths her swords in her spine, weeping, and vanishes. Dymitr1 whispers a spell and dissolves into shadow, leaving only the fern flower on the pavement.

May contain spoilers
Analysis

The reveal restructures everything: Dymitr's calm, his knowledge, his skill with weapons, his refusal to fear creatures, all explained by his identity as a trained killer of the very beings he has been helping. Yet his actions are contradictory: he saved Niko, fought his own sister. The fern flower left behind on the pavement is the central riddle: if he is a Knight, why abandon the tool that could buy Baba Jaga's favor? The answer, still unspoken, is dawning on Ala and Niko: he never intended to save himself. He came to Chicago to die, or something close to it.

The Knight Kneels

Dymitr asks Baba Jaga to destroy him, not his enemies

Niko3 and Ala2 reach Baba Jaga4's apartment first, a crooked space impossibly large inside a wedge-shaped building above a Harold's Chicken. The witch4 appears young but is ancient beyond measure. She already knows everything. Dymitr1 arrives moments later, hollowed out and trembling.

He goes to his knees. His request is not to destroy an enemy Knight: it is to destroy himself. He confesses to Ala2 that he killed her aunt. It was his first mission. He befriended Lena10 afterward in secret, visited her while she was cursed, tried and failed to save her from execution by his own sister.5

The Knight he wants unmade is himself. He asks Baba Jaga4 to destroy the bone sword buried in his spine, which holds half his soul. He would survive, diminished, to carry the burden. Ala2 tells him suffering is not atonement.

May contain spoilers
Analysis

Dymitr's self-destruction request is the logical endpoint of his grandmother's pedagogy: penance through pain. He has internalized the Order's framework so completely that he can only imagine justice as punishment applied to himself. Ala's rebuttal offers a different moral logic from the creature world: debts and gifts, transformation and continuation. Dymitr has come to the witch seeking what his grandmother would call righteous pain, but Baba Jaga, who has outlived empires and witch-hunters alike, offers something stranger: crooked magic that does not move in straight lines.

Transformation, Not Destruction

A curse lifted, a sword traded, a new kind of monster born

Baba Jaga4 cuts Dymitr1's thumb and Ala2's hand, binds them with red ribbon, and the curse transfers through their mingled blood. The spell triggers a vision: young Dymitr1 receiving a journal of Knight curses from his grandmother Joanna,6 who named him her successor.

He was raised for this. When the vision fades, Dymitr1 eats a fern flower petal. Fire sears them both, then the curse is gone from Ala2's blood. Baba Jaga4 turns to destroy his sword. Dymitr1 strips, digs his fingers into the back of his neck, and screams as he pulls the bone blade free from his spine.

Before the witch4 can unmake it, Niko3 stops her. Dymitr1 now carries Ala2's zmora blood. Change him instead. Baba Jaga4 agrees, taking the sword as payment. Ala2 tells him she wants him to live. He drinks the potion and sleeps.

May contain spoilers
Analysis

The transformation scene functions as a rebirth ritual: blood mingling, bodily agony, descent into unconsciousness. Dymitr's grandmother's memory reveals the structural nature of his indoctrination: he was not born a monster but carefully crafted into one through love and legacy. Niko's intervention is the pivot point of the entire narrative, offering a third path beyond Knight or destroyed Knight. The magic here is deliberately crooked: Dymitr sought unmaking, but the combination of Ala's blood, Niko's advocacy, and Baba Jaga's opportunism creates something unforeseen. The Knight becomes the creature. The hunter joins the hunted.

Epilogue

Dymitr1 wakes in Ala2's apartment, his senses remade. He can smell emotions: Ala2's worry is powdered sugar, Niko3's awe is dark chocolate and flowers. His fingernail has regrown. The wound in his palm is healed. In the mirror, he looks sharper, wilder, but still himself. Ala2 tells him they are siblings now, bound by shared blood.

Niko3 kisses him. Months later, in winter, Dymitr1 walks through the Montrose Point Bird Sanctuary to find the leszy11 on his stump, flowers dormant in his eye sockets. Dymitr1 carries his bow but no longer needs the fern flower. He asks only for a friendly archery contest. The leszy11 tilts his horned head, considers, and agrees to make a target.

May contain spoilers
Analysis

The epilogue closes the narrative circle, returning to the leszy who first tested Dymitr. The contrast is everything: Dymitr arrived first as a mortal supplicant, desperate and lying. He returns as something new, no longer a Knight, no longer fully human, at peace enough to shoot for sport rather than survival. The leszy's acceptance suggests the creature world's capacity to recognize genuine transformation when they see it. The dormant flowers in the leszy's skull mirror Dymitr himself: winter now, but spring will come. The archery contest that once determined his worthiness now becomes simply a game between equals.

Analysis

This novella interrogates the architecture of inherited violence and the possibility of breaking free from systems that shape identity from childhood. Dymitr1 was not born a killer but meticulously crafted into one by his grandmother,6 who used love, legacy, and the language of sacred duty to mold a child into a weapon. The story refuses the easy binary of human versus monster: the Holy Order, which claims to protect humanity, employs curses that wipe out entire bloodlines, while the zmory and strzygi, who feed on human emotions, run hospice centers and protect their own with fierce loyalty. The central question is not who is monstrous but what one does with the monstrosity they inherit or have thrust upon them. Dymitr1's arc from executioner to supplicant to something entirely new suggests that identity is not fixed but can be remade, though never without cost. The transformation requires blood, pain, the advocacy of others, and a witch4 willing to deal in crooked magic. The book also examines atonement through a Slavic folkloric lens: pain is not penance, suffering does not balance the scales, and what the dead require is not the destruction of the living but their commitment to becoming something different. The epilogue's quiet archery contest between Dymitr1 and the leszy,11 two beings who have both fled the Order's violence, offers a vision of what comes after: not forgiveness exactly, but the possibility of standing in the same forest without needing to kill each other.

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Review Summary

3.72 out of 5
Average of 29k+ ratings from Goodreads and Amazon.

When Among Crows is a captivating urban fantasy novella blending Slavic folklore with modern-day Chicago. Readers praise Roth's intricate world-building, compelling characters, and exploration of themes like identity, redemption, and cultural heritage. Many appreciate the novella's pacing and emotional depth, though some wished for a longer format to further develop the story. The book's unique premise, atmospheric writing, and integration of Polish mythology resonated strongly with most reviewers. Overall, it's considered an engaging, thought-provoking read that left many eager for more.

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Characters

Dymitr

Knight seeking his own unmaking

A Polish man in his late twenties who carries a fern flower and a bow in a guitar case through Chicago. Raised by his grandmother Joanna6 to serve the Holy Order, he was trained from childhood to identify and kill creatures, though his grandmother's pedagogy included striking him across the face to discipline his empathy. He possesses expert archery skills, speaks Polish fluently, and navigates the creature world with an unsettling calm that disturbs those who expect a mortal's fear. He befriended a young zmora named Lena10 in secret while serving as her family's executioner, and her death shattered the ideology he was raised to uphold. He is gentle with those he was taught to hate and ruthless with himself, seeking not death but diminishment, a way to stop being what he is.

Ala (Aleksja Dryja)

Cursed zmora seeking a cure

A zmora bartender at the Crow Theater in Chicago, small and pale with a sly smile and hoop earrings the size of fists. She is afflicted by a hereditary curse that forces her to witness visions of Holy Order executions, consuming her waking hours and slowly killing her as it killed her mother, her aunt, and her cousin10 before her. She possesses exceptional talent for illusions, able to create detailed false realities and duplicate herself to confuse enemies. She killed her own mother at the woman's desperate request, using the magic generated by her mother's suffering to grant her peace. She speaks little Polish despite her heritage, which isolates her from the zmora community. Fierce, skeptical, and afraid to hope, she is nonetheless drawn to Dymitr1's unusual gentleness toward her kind.

Niko (Nikodem Kostka)

Strzygoń bound to vengeance

A male strzygoń with luminous bronze owl eyes and dark hair. He serves as zemsta, bound by oath to hunt the Holy Order in vengeance for his people, a doomed duty he inherited when his predecessor fell to a Knight. His own kind fear him because the constant magical debt they owe him makes him more powerful than they are. His mortal mother, terrified of losing him after his father's sudden death, brought him to Baba Jaga4, who transformed him into something that could survive. He affects casualness and sardonic wit to mask the certainty of his eventual death. He fights in a shifted owl form with black wings and sharp talons. He is drawn to Dymitr1's beauty and his refusal to show fear, seeing in him a clarity most mortals lack.

Baba Jaga

Ancient witch of crooked magic

The oldest and most powerful witch in North America, who appears as a young woman but can shift to reveal her true age. She lives in a crooked apartment impossibly larger inside than out, stocked with jars of teeth, dried herbs, bones, and a stuffed squirrel in a cowboy hat. She destroyed the Uptown Theatre in a rage after a rival witch nearly outwitted her. She does not move in straight lines, morally or magically, and her bargains always demand a steep price. She is neither ally nor enemy, merely ancient and endlessly curious about what desperate people will offer.

Elza

Dymitr's Knight sister

Dymitr1's younger sister and a devoted Knight of the Holy Order. She followed Dymitr1 to Chicago against his orders, convinced he is on a fool's errand. She wears ruffles and bright lipstick when not dressed for combat. She was the one who cleaned Dymitr1's bloodstained hands after his first kill, telling him he had killed an it, not a person. She fights with two bone swords and summons enchanted crows through blood ritual. Her love for her brother1 is fierce but expressed through violence, the only language their family taught.

Joanna

Grandmother who forged a weapon

Dymitr1's grandmother, a Knight who chose her name to honor Joan of Arc. She taught Dymitr1 to spot creatures in crowds, to wield a bow, and to suppress the empathy that made him flinch from killing. On the eve of his ceremony, she struck him across the face to discipline his doubt, then gave him a journal of Knight curses and named him her successor as curse-bearer. She saw in him the capacity for the Order's darkest magic. She believed he would do things no other Knight had accomplished.

Lidia Kostka

Strzyga matriarch

The ancient leader of the Kostka strzyga family, who looks middle-aged with copper hair in a 1920s finger-wave bob. Her yellow eyes are piercing and predatory. She runs an underground boxing club where her kind feed on the aggression the fights generate. She is casually cruel, provoking anger to feed upon it, and demands painful sacrifices as the price of her wisdom.

Klara Dryja

Zmora family leader

The youngest of the Dryja family's three zmora leaders and the most receptive to humans. She wears a long needle with a spider ornament in her hair and can plunge a room into darkness with her illusions. She distrusts mortal men because she has made their worst nightmares come true and knows what they do when they feel cheated: they summon the Holy Order.

Sha

Sheid who hears the future

A sheid who works at a banshee-run hospice. She casts no shadow and sometimes a wing glints at her shoulder. She hears whispers of what is to come, which gives her an unsettling serenity. Her people fled persecution during the war alongside other Jewish refugees. She grants sanctuary to Niko3 without demanding payment, telling him he has already paid enough through his service as zemsta.

Lena

The girl Dymitr failed to save

Ala2's young zmora cousin who loved Teenage Mutant Ninja Turtles and dressed as the purple one using her father's necktie. She fought Holy Order Knights with a kitchen broom to defend her cursed mother and was executed years later by the same pair of Knights after her father betrayed her.

The leszy

Forest guardian

An ancient forest spirit with a stag skull for a head, flowers growing in his eye sockets, and hooved feet. He guards the Montrose Point Bird Sanctuary and the fern flower on Kupala Night. He fled the Holy Order's purges in the old country less than a century ago.

The noonwraith

Fern flower guardian

A południca with a bare rib cage, a pulsing black heart visible through the bones, and milky white eyes. She carries a massive sickle and tests those who seek the fern flower by opening their chests to examine their hearts.

Plot Devices

Fern flower

Curse-breaking magical bloom

A legendary flower that blooms only on Kupala Night, once a year, in sacred spaces where great sacrifice has created a debt that magic can inhabit. It glows with a soft red light and has the power to unravel most curses by acting as a poultice that draws out dark energy. Only mortal hands can touch it directly; quasi-mortal creatures like zmory would die from contact. It remains viable for approximately thirty-six hours after blooming. Dymitr1 obtained it by passing the leszy11's archery test and the noonwraith12's heart examination. It is the central bargaining chip in his quest to reach Baba Jaga4.

Bone swords

Half-soul weapons of the Holy Order

Knights of the Holy Order split their souls in half during their initiation ceremony. One half remains in their body; the other half resides in a bone-white sword sheathed inside their spine. Drawing the sword requires digging into the flesh at the back of the neck and pulling it free, an agonizing process that stains the Knight's palms and eyes a deep red. The swords can summon enchanted creatures through blood rituals. The longer a Knight goes without drawing their sword, the more painful and difficult it becomes to unsheathe. Destroying the sword would leave the Knight alive but diminished, no longer bound by their oaths.

The bloodline curse

Hereditary execution visions

A dark curse that afflicts a zmora bloodline, showing its victims relentless visions of Holy Order executions. It passes down the family line when the current victim dies, ricocheting like a pinball to the next living relative. It killed Ala2's grandmother, her mother, her aunt, and her cousin Lena10 before finding Ala2 in Chicago. The curse surges at dawn, filling the victim's mind with bloody hallucinations, and eventually drives them to madness and death. It was originally cast by Dymitr1's grandmother Joanna6, using the Knight curses she recorded in her blue journal, as a way to eliminate an entire family line.

Names as power

Magical leverage and vulnerability

In this world, a name freely given creates magical vulnerability. A person who receives another's name can use it to find them or even curse them, but the power is diluted if the name is shared with others. Dymitr1 gives his name to Klara8 and later to Ala2 as gestures of trust, making himself vulnerable as proof of his intentions. The noonwraith12 demands his name before opening his chest. Creatures at the boxing club fight under pseudonyms to protect themselves. The power of names reflects a world where identity is currency and trust must be purchased with risk.

Baba Jaga's crooked apartment

Impossible witch's dwelling

An apartment that occupies the second floor of an unremarkable building above a Harold's Chicken, yet is impossibly vast inside and seems to exist simultaneously in multiple locations across Chicago. Its windows look out on different parts of the city depending on which room one stands in. It is filled with centuries of accumulated objects: jars of teeth, dried herbs, a stuffed squirrel in a cowboy hat, tapestries of mermaids, a green lava lamp, and a table covered in bones. The apartment reflects Baba Jaga4's nature: crooked, nonlinear, far larger than it appears, and operating by rules that defy mortal comprehension.

About the Author

Veronica Roth is a New York Times bestselling author known for her diverse range of works in science fiction and fantasy. Her bibliography includes the popular Divergent series, the Carve the Mark duology, and standalone novels like Arch-Conspirator, Poster Girl, and Chosen Ones. Roth has also published a short story collection titled The End and Other Beginnings. Based in Chicago, Illinois, she lives with her husband and dog. Roth engages with her readers through a newsletter, sharing updates on her writing process, book recommendations, and other literary insights. Her work often explores themes of identity, choice, and societal structures.

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Highly recommended!! Fantastic service. Perfect for those that want a little more than a teaser but not all the intricate details of a full audio book.
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