And Her Smile Will Untether the Universe

Birds Born of Sorrow

In a decaying cottage, a woman endures a cycle of unnatural pregnancies, each ending with the birth of a bird from her body. Her husband, once loving, grows distant and eventually leaves, unable to accept her strangeness. The townspeople and government treat her as a curiosity and a threat, subjecting her to tests and isolation. Only Matilda, a bluebird she manages to keep, offers companionship. As the birds accumulate, each one a piece of her lost self, she realizes her true kinship is with these creatures. In a final act of reclamation, she follows her last-born bird into the forest, where all her lost birds return to her. She swallows them, becoming whole, and finally soars above the world, untethered and complete.

The Vanishing Test

In a society plagued by mysterious disappearances, children are subjected to a psychological test—the Ten Questions—to determine their risk of vanishing. Vivienne, a sensitive, imaginative girl, befriends Tally, another outcast. As more people disappear, those who score high on the test are segregated and monitored, their families growing distant. Tally and Vivienne cling to each other, finding solace in shared oddness. When Tally is taken away for treatment, she vanishes, leaving Vivienne to navigate a world that fears and erases those who don't fit. The story is a meditation on alienation, conformity, and the longing for connection in a world that punishes difference.

Blood in the Clawfoot Tub

After her sister Savannah's suicide, Sabrina refuses to let go, preserving the blood-filled bathtub as a shrine. Family and acquaintances descend, offering platitudes and judgment, but Sabrina's grief is raw and unmanageable. She battles her aunt's attempts to control her, the intrusion of flies, and the threat of losing even the physical remnants of her sister. The story explores the rituals of mourning, the violence of family secrets, and the desperate need to hold onto what is lost. In the end, Sabrina keeps a part of Savannah in a jar, defying those who would erase her sister's memory, and finds a strange, private solace in their continued, haunted connection.

Apples, Princes, and Poison

In a blighted village, girls are sent to an orchard to eat enchanted apples, falling into a deathlike sleep until a prince—or any man—claims them. The narrator, the orchard-keeper's daughter, witnesses the cycle of sacrifice, the commodification of girls, and the emptiness of the promised "happily ever after." She collects the uneaten apples, mourns the lost girls, and ultimately rebels by burning the orchard, breaking the spell. The story is a dark retelling of fairy tales, exposing the violence and complicity underlying traditions that demand girls' suffering for communal salvation.

Letters to the Ambry

Molly Jane writes letters to the "man in the ambry," a mysterious presence in her bedroom closet. The letters span her childhood, adolescence, and adulthood, chronicling her loneliness, her struggles with family and relationships, and her eventual disappearance. The ambry becomes a symbol of the hidden, the unspoken, and the otherworldly connections that shape her life. As Molly Jane vanishes, her mother's final letter pleads for her return, haunted by the giggles and coos that linger in the house. The story is a poignant exploration of longing, invisibility, and the thin line between reality and the supernatural.

Hide-and-Seek with Shadows

Emma Jo, a child who loves hide-and-seek, slips into the darkness and never fully returns. Her mother, unable to accept her loss, searches for Emma Jo in the shadows of their home, convinced her daughter is still hiding. The father moves on, but the mother is drawn deeper into the game, haunted by giggles and the scent of pink lemonade. The story blurs the boundaries between life and death, memory and haunting, as the mother prepares to follow her daughter into the darkness, refusing to let go.

Ghosts Between Lovers

Kaylee is haunted by Audrey, her childhood friend and her husband's former lover, who committed suicide after Kaylee married Daniel. Audrey's ghost crawls nightly toward Kaylee's bed, a silent accusation and a threat to her unborn child. As Kaylee's life unravels—her husband dies, her pregnancy continues—she confronts the legacy of betrayal and the impossibility of forgiveness. The story is a chilling meditation on the persistence of guilt, the destructive power of secrets, and the ways the dead shape the living.

Camp of Compulsory Happiness

Arabella and her older sister Madeline are sent to a government camp designed to "cure" children of unhappiness through indoctrination, drugs, and psychological tests. Madeline, a repeat attendee, is subjected to harsher treatments, but Arabella's love and skill at make-believe help them both survive. The camp's rituals—lectures, Red Days, and graduation—mask a system that punishes difference and rewards conformity. In the end, the sisters escape by pretending to be "good children," vowing to find others like them and resist the system's erasure of individuality.

Skin Borrowed, Skin Shed

Clare and Emily are beings who must steal and wear human skin to survive, their identities layered and unstable. Emily is seductive and destructive, while Clare longs for connection and authenticity. Their relationship is fraught with jealousy, violence, and longing, complicated by Clare's love for Nathalie, a human woman. When Clare finally sheds her stolen skin, exposing her true self, Nathalie accepts her, offering warmth and acceptance. The story is a visceral allegory for queer desire, self-acceptance, and the pain of loving someone who cannot love you back in the way you need.

Love Letters from the Afterlife

In a series of direct, confessional letters, a woman addresses her former lover, recounting their love, betrayal, and her own suicide. Now a ghost, she haunts him, sabotaging his new relationship and plotting revenge. The story is a darkly comic, bitter meditation on the persistence of love and hate beyond death, the futility of seeking closure, and the ways we remain bound to those who have hurt us.

Wind, Magic, and Justice

Two orphaned sisters, marked by their Indigenous heritage, survive in a world that refuses to listen to their pain or recognize their magic. When one sister is murdered by her abusive husband, the other uses ancestral magic and the power of the wind to bring her back and exact justice. The story is a lyrical invocation of grief, resilience, and the enduring strength of women who are denied justice by the world but find it through their own means.

Towers and Invisible Cages

In a world where some girls develop literal towers around their bodies, the "tower princesses" are isolated, feared, and fetishized. Mary, an outsider herself, falls in love with Linnea, a princess who can leave her tower at will. Their relationship is a fragile refuge from a world of violence, family abuse, and societal scorn. When Mary's trauma and Linnea's secret collide, they are separated, and Mary spends years waiting for her lost love to return. The story is a powerful allegory for queerness, trauma, and the longing for connection in a hostile world.

Celluloid Immortality

A nameless narrator becomes obsessed with a long-dead actress, watching her films repeatedly and feeling her presence reach through the screen. The actress, murdered by cultists, is remembered only in fragments—her beauty, her voice, her tragic end. The narrator's devotion becomes a form of resurrection, as the actress's smile "untethers the universe," destroying the world that forgot her and creating a new reality where they are together. The story is a meditation on art, memory, and the power of the gaze to both destroy and redeem.

The Bride Who Burns

Terence marries Gillian, an artist haunted by depression and self-destruction. On their honeymoon, Gillian burns to death each night, only to be resurrected by Terence's grief and longing. Trapped in a cycle of loss and return, Terence tries to save her, but ultimately realizes he cannot. In letting go, he allows both of them to move on, accepting that love cannot conquer all, and that some fires cannot be tamed.

The Unraveling Smile

The motif of the smile recurs throughout the stories, culminating in the titular tale where a woman's smile is so powerful it unravels the fabric of the universe. This smile is not merely joy, but a force of liberation, destruction, and creation. It is the moment when the outsider, the haunted, the broken, claims her own narrative and remakes the world in her image.

The Return to Wholeness

Across the stories, characters who have been fragmented—by trauma, loss, or societal rejection—find ways to reclaim their wholeness. Whether by swallowing their lost parts, forging new connections, or shedding false skins, they move toward a state of self-acceptance and agency, even if it means leaving the world that hurt them behind.

The Choice to Untether

The stories repeatedly present the choice between remaining bound—by family, society, or the past—and breaking free, even at great cost. The act of untethering is both terrifying and exhilarating, a leap into the unknown that offers the possibility of true belonging.

The Universe Remade

In the end, the collection is a celebration of those who do not fit, who are cast out, who are haunted or monstrous or strange. Their pain is real, but so is their power. Through acts of rebellion, love, and self-creation, they untether the universe from its old constraints and imagine new possibilities for themselves and others like them.