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SoBrief

Рукоделие Саммари книг

История на миллион долларов
Роберт Макки • 1997
How to design the moments where expectations collide with reality and everything flips.
4.27
17 000+
История на миллион долларов Саммари
Иммерсивные
История на миллион долларов
How to design the moments where expectations collide with reality and everything flips.
Роберт Макки 1997 480 стр.
4.27
17 000+ оценок
Dialogue
Robert McKee • 2016
Your dialogue problem is really a scene problem. The fix starts underneath the words.
4.32
1 000+
Dialogue Саммари
Иммерсивные
Dialogue
Your dialogue problem is really a scene problem. The fix starts underneath the words.
Robert McKee 2016 303 стр.
4.32
1 000+ оценок
Character
Robert McKee • 2021
Forget imitating people. Memorable characters are metaphors built from inner contradictions.
4.29
445
Character Саммари
Иммерсивные
Character
Forget imitating people. Memorable characters are metaphors built from inner contradictions.
Robert McKee 2021 336 стр.
4.29
445 оценок
Why We Make Things and Why It Matters
Peter Korn • 2013
A woodworker spent decades making furniture, only to discover he was the real project.
3.73
1 000+
Why We Make Things and Why It Matters Саммари
Иммерсивные
Why We Make Things and Why It Matters
A woodworker spent decades making furniture, only to discover he was the real project.
Peter Korn 2013 176 стр.
3.73
1 000+ оценок
Как написать гениальный роман
Джеймс Н. Фрей • 1987
Step-by-step dramatic craft for building a novel from premise to final draft. No muse required.
3.87
2 000+
Как написать гениальный роман Саммари
Как написать гениальный роман
Step-by-step dramatic craft for building a novel from premise to final draft. No muse required.
Джеймс Н. Фрей 1987 192 стр.
3.87
2 000+ оценок
The Anatomy of Story
John Truby • 2007
The organic alternative to formula: how character, plot, and theme grow from a single premise's DNA.
4.25
7 000+
The Anatomy of Story Саммари
The Anatomy of Story
The organic alternative to formula: how character, plot, and theme grow from a single premise's DNA.
John Truby 2007 445 стр.
4.25
7 000+ оценок
Киносценарий
Сид Филд • 1979
The structural template that turned screenwriting into a learnable craft, from setup to final draft.
3.99
8 000+
Киносценарий Саммари
Киносценарий
The structural template that turned screenwriting into a learnable craft, from setup to final draft.
Сид Филд 1979 336 стр.
3.99
8 000+ оценок
Story Genius
Лиза Крон • 2016
Your reader's brain is wired for story. The neuroscience for building a novel that actually grips.
4.19
6 000+
Story Genius Саммари
Story Genius
Your reader's brain is wired for story. The neuroscience for building a novel that actually grips.
Лиза Крон 2016 288 стр.
4.19
6 000+ оценок
Save the Cat!
Blake Snyder • 2005
Fifteen beats, forty cards, and one rule to make your hero likeable on page ten.
4.01
22 000+
Save the Cat! Саммари
Save the Cat!
Fifteen beats, forty cards, and one rule to make your hero likeable on page ten.
Blake Snyder 2005 215 стр.
4.01
22 000+ оценок
Writing Tools
Roy Peter Clark • 2006
Start strong, say less, build momentum: a fifty-tool kit for better writing.
4.20
5 000+
Writing Tools Саммари
Writing Tools
Start strong, say less, build momentum: a fifty-tool kit for better writing.
Roy Peter Clark 2006 260 стр.
4.20
5 000+ оценок
Save the Cat! Writes for TV
Jamie Nash • 2021
Board it. Beat it. Weave it: the writers' room method for structuring a pilot that sells.
4.31
423
Save the Cat! Writes for TV Саммари
Save the Cat! Writes for TV
Board it. Beat it. Weave it: the writers' room method for structuring a pilot that sells.
Jamie Nash 2021 254 стр.
4.31
423 оценок
Directing Actors
Judith Weston • 1996
Most directors give actors adjectives. The ones who get great performances give them verbs.
4.36
1 000+
Directing Actors Саммари
Directing Actors
Most directors give actors adjectives. The ones who get great performances give them verbs.
Judith Weston 1996 438 стр.
4.36
1 000+ оценок
The Art of Fiction
John Gardner • 1984
Master the craft that makes readers forget the page and live inside your story.
3.99
6 000+
The Art of Fiction Саммари
The Art of Fiction
Master the craft that makes readers forget the page and live inside your story.
John Gardner 1984 240 стр.
3.99
6 000+ оценок
Инженерия истории
Ларри Брукс • 2011
Six storytelling skills and a four-part map that transform an idea into a novel that works.
4.10
3 000+
Инженерия истории Саммари
Инженерия истории
Six storytelling skills and a four-part map that transform an idea into a novel that works.
Ларри Брукс 2011 278 стр.
4.10
3 000+ оценок
The Emotional Craft of Fiction
Donald Maass • 2016
Move past showing versus telling: design a story that gives readers their own emotional journey.
4.25
3 000+
The Emotional Craft of Fiction Саммари
The Emotional Craft of Fiction
Move past showing versus telling: design a story that gives readers their own emotional journey.
Donald Maass 2016 224 стр.
4.25
3 000+ оценок
Into the Woods
John Yorke • 2013
Every story hides a fractal skeleton. From Greek tragedy to prestige TV, the bones are identical.
4.18
4 000+
Into the Woods Саммари
Into the Woods
Every story hides a fractal skeleton. From Greek tragedy to prestige TV, the bones are identical.
John Yorke 2013 256 стр.
4.18
4 000+ оценок
С первой фразы
Лиза Крон • 2012
Your reader's brain evolved to crave story. Neuroscience now knows what it expects from yours.
4.20
5 000+
С первой фразы Саммари
С первой фразы
Your reader's brain evolved to crave story. Neuroscience now knows what it expects from yours.
Лиза Крон 2012 272 стр.
4.20
5 000+ оценок
Save the Cat! Strikes Back
Blake Snyder • 2009
Script problems aren't failure. They're the raw material of every breakthrough draft.
4.17
1 000+
Save the Cat! Strikes Back Саммари
Save the Cat! Strikes Back
Script problems aren't failure. They're the raw material of every breakthrough draft.
Blake Snyder 2009 200 стр.
4.17
1 000+ оценок
The Writer's Journey - 25th Anniversary Edition
Christopher Vogler • 1992
A Hollywood analyst unpacks the monomyth: a story blueprint that works from Homer to Star Wars.
4.10
10 000+
The Writer's Journey - 25th Anniversary Edition Саммари
The Writer's Journey - 25th Anniversary Edition
A Hollywood analyst unpacks the monomyth: a story blueprint that works from Homer to Star Wars.
Christopher Vogler 1992 492 стр.
4.10
10 000+ оценок
Invisible Ink
Brian McDonald • 2010
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
4.38
1 000+
Invisible Ink Саммари
Invisible Ink
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
Brian McDonald 2010 153 стр.
4.38
1 000+ оценок
Save the Cat
Blake Snyder • 2005
Forty index cards, fifteen beats: the blueprint that turns a movie idea into a finished script.
4.01
22 000+
Save the Cat Саммари
Save the Cat
Forty index cards, fifteen beats: the blueprint that turns a movie idea into a finished script.
Blake Snyder 2005 195 стр.
4.01
22 000+ оценок
Dialogue
Robert McKee • 2016
Dialogue is action, not conversation. The real meaning lives in what characters won't say.
4.32
1 000+
Dialogue Саммари
Dialogue
Dialogue is action, not conversation. The real meaning lives in what characters won't say.
Robert McKee 2016 312 стр.
4.32
1 000+ оценок
The Story Grid
Shawn Coyne • 2015
Why stories fail, scene by scene: an editor's diagnostic that finds the break and the fix.
4.30
1 000+
The Story Grid Саммари
The Story Grid
Why stories fail, scene by scene: an editor's diagnostic that finds the break and the fix.
Shawn Coyne 2015 344 стр.
4.30
1 000+ оценок
Techniques of the Selling Writer
Dwight V. Swain • 1965
Master the rhythm of conflict and emotional reaction that makes any story impossible to put down.
4.33
1 000+
Techniques of the Selling Writer Саммари
Techniques of the Selling Writer
Master the rhythm of conflict and emotional reaction that makes any story impossible to put down.
Dwight V. Swain 1965 344 стр.
4.33
1 000+ оценок
Save the Cat! Writes a Novel
Jessica Brody • 2018
A screenwriter's 15-beat method, adapted for novels: how to map a flawed hero's full transformation.
4.49
13 000+
Save the Cat! Writes a Novel Саммари
Save the Cat! Writes a Novel
A screenwriter's 15-beat method, adapted for novels: how to map a flawed hero's full transformation.
Jessica Brody 2018 320 стр.
4.49
13 000+ оценок
Color, Form, and Magic
Nicole Pivirotto • 2021
Color and shape are spells you're already casting. Here's how to wield them on purpose.
3.58
84
Color, Form, and Magic Саммари
Color, Form, and Magic
Color and shape are spells you're already casting. Here's how to wield them on purpose.
Nicole Pivirotto 2021 112 стр.
3.58
84 оценок
Plot & Structure
James Scott Bell • 2004
Four pillars of plot that hold readers from opening to climax, whether you outline or not.
4.11
5 000+
Plot & Structure Саммари
Plot & Structure
Four pillars of plot that hold readers from opening to climax, whether you outline or not.
James Scott Bell 2004 240 стр.
4.11
5 000+ оценок
The Art of Character
David Corbett • 2013
The five things every unforgettable character has, and why questionnaires will never uncover them.
4.25
500+
The Art of Character Саммари
The Art of Character
The five things every unforgettable character has, and why questionnaires will never uncover them.
David Corbett 2013 383 стр.
4.25
500+ оценок
About Writing
Samuel R. Delany • 2006
The sentence, not the world, is science fiction's true unit of meaning. A master explains why.
4.26
459
About Writing Саммари
About Writing
The sentence, not the world, is science fiction's true unit of meaning. A master explains why.
Samuel R. Delany 2006 272 стр.
4.26
459 оценок
Outlining Your Novel
K.M. Weiland • 2011
Stop staring at the empty page: a pre-writing method that builds your novel before chapter one.
4.11
4 000+
Outlining Your Novel Саммари
Outlining Your Novel
Stop staring at the empty page: a pre-writing method that builds your novel before chapter one.
K.M. Weiland 2011 186 стр.
4.11
4 000+ оценок
How to Write a Damn Good Thriller
James N. Frey • 2010
From villain to climax, the essential rules for a thriller that readers cannot put down.
3.79
321
How to Write a Damn Good Thriller Саммари
How to Write a Damn Good Thriller
From villain to climax, the essential rules for a thriller that readers cannot put down.
James N. Frey 2010 306 стр.
3.79
321 оценок
Making a Good Script Great
Linda Seger • 1987
Script doctor's toolkit: structure fixes, subplot craft, and momentum rules that sell a screenplay.
3.88
1 000+
Making a Good Script Great Саммари
Making a Good Script Great
Script doctor's toolkit: structure fixes, subplot craft, and momentum rules that sell a screenplay.
Linda Seger 1987 252 стр.
3.88
1 000+ оценок
The Anatomy of Genres
John Truby • 2022
Genres are philosophies disguised as story types. Crack the beats and you crack writing and life.
4.21
500+
The Anatomy of Genres Саммари
The Anatomy of Genres
Genres are philosophies disguised as story types. Crack the beats and you crack writing and life.
John Truby 2022 722 стр.
4.21
500+ оценок
Reading Like a Writer
Francine Prose • 2006
Workshops preach rules. Real craft is learned one Chekhov sentence at a time.
3.77
11 000+
Reading Like a Writer Саммари
Reading Like a Writer
Workshops preach rules. Real craft is learned one Chekhov sentence at a time.
Francine Prose 2006 320 стр.
3.77
11 000+ оценок
The Bestseller Code
Jodie Archer • 2016
An algorithm spots bestsellers with 80 percent accuracy, reading signals no writing class teaches.
3.81
1 000+
The Bestseller Code Саммари
The Bestseller Code
An algorithm spots bestsellers with 80 percent accuracy, reading signals no writing class teaches.
Jodie Archer 2016 242 стр.
3.81
1 000+ оценок
45 мастер-характеров
Виктория Линн Шмидт • 2001
45 mythic archetypes: every character's hero side, shadow, and the journey that transforms them.
3.89
1 000+
45 мастер-характеров Саммари
45 мастер-характеров
45 mythic archetypes: every character's hero side, shadow, and the journey that transforms them.
Виктория Линн Шмидт 2001 304 стр.
3.89
1 000+ оценок
Consider This
Chuck Palahniuk • 2020
Most writing advice avoids the craft that actually builds authority, tension, and voice.
4.37
5 000+
Consider This Саммари
Consider This
Most writing advice avoids the craft that actually builds authority, tension, and voice.
Chuck Palahniuk 2020 256 стр.
4.37
5 000+ оценок
Creating Character Arcs
K.M. Weiland • 2016
Why your character believes a lie, and how that single flaw designs your entire plot.
4.31
3 000+
Creating Character Arcs Саммари
Creating Character Arcs
Why your character believes a lie, and how that single flaw designs your entire plot.
K.M. Weiland 2016 215 стр.
4.31
3 000+ оценок
Writing Down the Bones
Natalie Goldberg • 1986
Outrun your inner editor: the Zen practice of raw, unedited writing that unlocks your truest voice.
4.21
32 000+
Writing Down the Bones Саммари
Writing Down the Bones
Outrun your inner editor: the Zen practice of raw, unedited writing that unlocks your truest voice.
Natalie Goldberg 1986 336 стр.
4.21
32 000+ оценок
Steering The Craft
Ursula K. Le Guin • 1998
Hear your prose, fix your grammar, and cut what drags: a master novelist's craft manual.
4.24
6 000+
Steering The Craft Саммари
Steering The Craft
Hear your prose, fix your grammar, and cut what drags: a master novelist's craft manual.
Ursula K. Le Guin 1998 160 стр.
4.24
6 000+ оценок
Structuring Your Novel
K.M. Weiland • 2013
How to structure your novel's scenes, acts, and plot points to keep readers turning pages.
4.33
3 000+
Structuring Your Novel Саммари
Structuring Your Novel
How to structure your novel's scenes, acts, and plot points to keep readers turning pages.
K.M. Weiland 2013 295 стр.
4.33
3 000+ оценок
Stein on Writing
Sol Stein • 1995
The editor's craft: making dialogue bristle, scenes unfold in real time, and flab vanish.
4.28
4 000+
Stein on Writing Саммари
Stein on Writing
The editor's craft: making dialogue bristle, scenes unfold in real time, and flab vanish.
Sol Stein 1995 320 стр.
4.28
4 000+ оценок
Writing the Breakout Novel
Donald Maass • 2001
An agent's craft manual for fiction that breaks out: not talent, but specific, learnable choices.
4.08
4 000+
Writing the Breakout Novel Саммари
Writing the Breakout Novel
An agent's craft manual for fiction that breaks out: not talent, but specific, learnable choices.
Donald Maass 2001 272 стр.
4.08
4 000+ оценок
Telling True Stories
Mark Kramer • 2007
Finding true stories, reporting from the inside, and building scenes that read like novels.
4.08
1 000+
Telling True Stories Саммари
Telling True Stories
Finding true stories, reporting from the inside, and building scenes that read like novels.
Mark Kramer 2007 317 стр.
4.08
1 000+ оценок
Mastering Suspense, Structure, and Plot
Jane K. Cleland • 2016
A plotting grid that plants a jolt every 70 pages: the method for stories that grip.
4.05
500+
Mastering Suspense, Structure, and Plot Саммари
Mastering Suspense, Structure, and Plot
A plotting grid that plants a jolt every 70 pages: the method for stories that grip.
Jane K. Cleland 2016 240 стр.
4.05
500+ оценок
Several Short Sentences About Writing
Verlyn Klinkenborg • 2012
Writing isn't about flow or formulas; it's about one clear sentence, then another.
4.13
3 000+
Several Short Sentences About Writing Саммари
Several Short Sentences About Writing
Writing isn't about flow or formulas; it's about one clear sentence, then another.
Verlyn Klinkenborg 2012 224 стр.
4.13
3 000+ оценок
Writing for Emotional Impact
Karl Iglesias • 2005
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
4.27
500+
Writing for Emotional Impact Саммари
Writing for Emotional Impact
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
Karl Iglesias 2005 238 стр.
4.27
500+ оценок
100 Ways to Improve Your Writing
Gary Provost • 1985
Concrete techniques that turn stiff sentences into music and hesitant writers into confident ones.
4.03
1 000+
100 Ways to Improve Your Writing Саммари
100 Ways to Improve Your Writing
Concrete techniques that turn stiff sentences into music and hesitant writers into confident ones.
Gary Provost 1985 176 стр.
4.03
1 000+ оценок
Characters & Viewpoint
Orson Scott Card • 1988
Shape characters your readers will follow anywhere: the techniques that turn ink into people.
4.04
4 000+
Characters & Viewpoint Саммари
Characters & Viewpoint
Shape characters your readers will follow anywhere: the techniques that turn ink into people.
Orson Scott Card 1988 240 стр.
4.04
4 000+ оценок
Writer's Guide to Character Traits
Linda N. Edelstein • 1999
Why your characters feel flat: the psychological patterns that make them real.
3.91
1 000+
Writer's Guide to Character Traits Саммари
Writer's Guide to Character Traits
Why your characters feel flat: the psychological patterns that make them real.
Linda N. Edelstein 1999 384 стр.
3.91
1 000+ оценок
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