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The Five

The Five

The Untold Lives of the Women Killed by Jack the Ripper
by Hallie Rubenhold 2019 352 pages
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Key Takeaways

1. Challenging the "Prostitute" Myth: Victims Were More Than a Label

Jack the Ripper killed prostitutes, or so it has always been believed, but there is no hard evidence to suggest that three of his five victims were prostitutes at all.

Unfounded assumptions. The prevailing narrative that Jack the Ripper exclusively targeted prostitutes is largely based on Victorian prejudice and lacks concrete evidence. Police and journalists, operating under societal biases, quickly labeled the victims as "unfortunates" without thorough investigation, shaping the entire course of the inquiry. This assumption was so ingrained that it influenced how witness testimonies were interpreted and reported, often twisting facts to fit the preconceived notion.

Police commissioner's doubts. Even Sir Charles Warren, the Metropolitan Police Commissioner, acknowledged the difficulty in identifying prostitutes, stating in 1887 that police "have no means of ascertaining what women are prostitutes and who are not." His own calculations suggested that a majority of women in Whitechapel's lodging houses were not engaged in prostitution. This official skepticism was often ignored by constables and the press, who continued to apply the label broadly.

Official records contradict. The death certificates for Mary Ann Nichols, Annie Chapman, and Elisabeth Stride explicitly listed their occupations as "Wife of William Nichols, Printing Machinist," "widow of John Chapman, a coachman," and "widow of John Thomas Stride, carpenter," respectively. Catherine Eddowes was recorded as a "Supposed single woman." Only Mary Jane Kelly, who openly admitted to the trade, was officially identified as a "Prostitute," directly challenging the long-held belief about all five victims.

2. The Brutal Reality of Victorian Poverty: A Cycle of Want and Workhouses

The encampment and riots at Trafalgar Square were a conspicuous manifestation of what had been chronically ailing in the East End and other impoverished parts of London.

Chronic destitution. Victorian London's East End was a crucible of extreme poverty, exacerbated by "the Long Depression" of the 1870s and '80s. Unskilled laborers faced poorly paid, insecure work, while rising rents and housing destruction pushed the poor into overcrowded, unsanitary areas like Whitechapel. The Trafalgar Square encampment of 1887, filled with the homeless and unemployed, starkly illustrated the widespread suffering.

Workhouse humiliation. The workhouse system, established by the 1834 Poor Law Amendment Act, was designed to deter poverty through humiliation and deplorable conditions. Families were separated by gender, stripped of belongings, forced into communal baths, and clothed in uniforms. Inmates endured constant hunger, illness, and violence, performing grueling tasks like stone-breaking or oakum picking for meager sustenance.

  • Families divided by gender and age.
  • Stripped of personal belongings.
  • Communal baths and uniforms.
  • Basic diet: watery porridge (skilly), bread, cheese.
  • Forced labor: stone-breaking, oakum picking.

Social stigma. The stigma of the workhouse was so profound that many preferred begging, sleeping rough, or even prostitution to seeking "indoor relief." This fear often trapped individuals in a cycle of poverty, as leaving the workhouse without prospects often meant returning to the streets, only to re-enter another casual ward in a different parish to evade regulations.

3. Alcoholism's Grip: A Lifelong Battle Against Despair

“She never tried again,” lamented her sister. Annie said to her, in words redolent with the profound suffering of the chronic alcoholic, “it was of no use, no one knew the fearful struggle . . . unless I can keep out of sight and smell, I can never be free.”

Self-medication for pain. Alcoholism was a pervasive issue in Victorian society, often used by working-class women to cope with loneliness, grief, and the relentless pressures of poverty. For Annie Chapman, her sister Miriam believed her addiction was inherited and exacerbated by the loss of four children to disease, leading her to self-medicate with drink. The ubiquity of alcohol, often disguised as tonics or medicines, made it an ever-present temptation.

Societal condemnation. Despite its widespread use, habitual drunkenness, especially in public, was seen as a moral failing, a sign of degenerate character and idleness. Women who succumbed to alcohol faced intense social condemnation, further isolating them from family and respectable society. Annie's sisters, committed teetotalers, tried repeatedly to help her sign the abstinence pledge, but her cravings proved too powerful.

Tragic consequences. For Annie, her alcoholism had devastating consequences, including the deaths of six of her eight children, likely due to fetal alcohol syndrome or neglect during her drunken episodes. Her addiction ultimately led to her separation from her husband, John Chapman, who, despite his love, could not risk his prestigious job by harboring an unpredictable inebriate. This forced her onto the streets, where her health rapidly deteriorated from tuberculosis.

4. Societal Judgment: The Perilous Path of Women Without Men

Without a man, a woman had no credibility, no protection against the schemes and violence of other men, and no purpose in life.

Dependence on male support. Victorian society rigidly defined women's roles, primarily as supporters of men within the domestic sphere. A woman without a husband, father, or male partner was considered "superfluous," lacking credibility, protection, and purpose. This societal structure made it nearly impossible for working-class women to survive independently, often forcing them into precarious common-law relationships or destitution.

Moral ruin and double standards. A woman who left her husband, even for good reason, was deemed a "failure" and "immoral," regardless of culpability. The Matrimonial Causes Act of 1878, while offering some legal separation, still required a wife to prove adultery plus another crime (like incest or cruelty) for divorce, a stark contrast to a man's ability to divorce for adultery alone. This double standard ensured women bore the brunt of moral judgment for any "irregular union."

Conflation with prostitution. The "broken woman" who lost her marriage or home through perceived moral weakness was often conflated with the "fallen woman" or prostitute. Public drunkenness, a lack of regard for appearance, or living outside conventional norms instantly categorized women as degenerate. This societal perception stripped them of dignity and made them vulnerable to exploitation and violence, as they were seen as fair game.

5. Polly Nichols: From Skilled Laborer's Daughter to "Houseless Creature"

Polly, quite unusually for her gender and class, was permitted to remain in school until the age of fifteen.

A respectable upbringing. Mary Ann "Polly" Nichols was born into a respectable working-class family in London's Fleet Street printing district. Her father, a blacksmith, valued education, allowing Polly to attend school until age fifteen, where she mastered both reading and writing—a rare privilege for girls of her class. She married William Nichols, a printer, and for sixteen years, they maintained a stable home, even securing a coveted apartment in the modern Peabody Buildings.

Marital breakdown and addiction. The Nichols' marriage deteriorated amidst financial strain and William's alleged affair with a neighbor, Rosetta Walls. Polly's increasing reliance on alcohol, whether a cause or consequence of her marital woes, led to frequent arguments and her eventual departure in 1880. This act, though perhaps a desperate escape, stripped her of her respectable status and plunged her into a life of hardship.

Descent into vagrancy. After leaving her husband and five children, Polly initially received a small maintenance, but this was cut when William proved her "adultery" (cohabitation with another man). Destitute, Polly entered and exited workhouses, eventually becoming a "houseless creature" sleeping rough in Trafalgar Square. Her final days were marked by chronic alcoholism, tramping, and a desperate search for "doss money," culminating in her murder on August 31, 1888.

6. Annie Chapman: The Coachman's Wife's Decline into Destitution

“We tried to persuade the one given to drink to give it up. She was married and in a good position. Over and over again she signed the pledge and tried to keep it. Over and over again she was tempted and fell.”

A life of privilege and tragedy. Annie Chapman, born illegitimately to a soldier and a servant, benefited from her father's military career, receiving a superior education and living near aristocratic areas like Knightsbridge and Windsor. She married John Chapman, a gentleman's coachman, and enjoyed a comfortable, aspiring middle-class life on a country estate. However, her life was marred by immense tragedy:

  • Loss of four siblings to scarlet fever and typhus in three weeks.
  • Death of six of her eight children, likely linked to her alcoholism.
  • Her father's suicide.

Struggle with addiction. Annie's lifelong battle with alcoholism intensified after her children's deaths. Despite her sisters' efforts and a year-long stay at Spelthorne Sanatorium for "intemperate women," she relapsed. A single kiss from her husband, who had taken whiskey for a cold, triggered her cravings, leading her to declare, "unless I can keep out of sight and smell, I can never be free."

Forced separation and decline. Her persistent drinking forced John to choose between his job and his wife, leading to their amicable but heartbreaking separation. Annie, receiving a weekly maintenance, initially lived in Notting Hill with a common-law partner, Jack Sievey, but his departure and her worsening tuberculosis pushed her to Whitechapel. Despite her efforts at crochet work and selling goods, her health and addiction left her increasingly dependent and vulnerable, sleeping rough or in lodging houses until her murder on September 8, 1888.

7. Elisabeth Stride: The Immigrant's Tragic Reinvention and Hidden Past

To have been publicly denounced as a whore, to have suffered the indignity of police examinations, to have discovered that she carried a potentially deadly and disfiguring disease, to have been incarcerated like a prisoner and subjected to excruciating medical procedures, to have suffered a miscarriage in a hostile environment and then to have been released onto the street with no relations to whom she could turn must surely have scarred her.

Swedish origins and early trauma. Elisabeth Gustafsdotter, a farmer's daughter from Torslanda, Sweden, moved to Gothenburg as a servant. At 21, pregnant and unmarried, she was placed on the city's "register of shame" as "Allmän Kvinna 97" (Public Woman 97), subjected to humiliating twice-weekly gynecological exams. She contracted syphilis and suffered a stillbirth in a "cure house" (venereal disease hospital), a traumatic experience that profoundly shaped her future.

A new life in London. After a period of working as a prostitute and then being "rescued" and retrained as a housemaid, Elisabeth immigrated to London in 1866, seeking a fresh start. She married John Thomas Stride, a carpenter, in 1869, and together they attempted to run a coffeehouse in Poplar. However, their business failed, and John was disinherited by his wealthy Methodist father, plunging them into financial hardship.

Mutable identity and hidden illness. Elisabeth's marriage to John Stride was childless, likely due to her syphilis, which later manifested as "fits" (neurosyphilis). She cultivated a mutable identity, claiming to be a Princess Alice disaster survivor, a widow, or even Mary Malcolm's sister, "Long Liz," to elicit sympathy and financial aid. Her life in Whitechapel was marked by heavy drinking, arrests for disorderly conduct, and a tumultuous relationship with Michael Kidney, until her murder on September 30, 1888, leaving her true history largely unknown.

8. Kate Eddowes: A Life of Resilience, Rebellion, and Street Performance

“We wished especially to get her away,” she recalled. At fifteen, it is likely that Kate was profoundly affected by the loss of her mother, and the impending death of her father would surely have only worsened her grief.

A childhood of hardship and education. Catherine "Kate" Eddowes was born into a large, impoverished tinworker's family in Wolverhampton, one of twelve children. Despite her family's struggles, she received a rare opportunity for education at the Dowgate School in London, attending seven days a week and even visiting the Great Exhibition. However, her childhood ended abruptly with the deaths of both parents, forcing her to return to Wolverhampton to live with relatives.

Rebellion and itinerant life. At nineteen, Kate was dismissed from the Old Hall Works for stealing, leading her to leave Wolverhampton for Birmingham. There, she met Thomas Conway, an Irish ex-soldier and "chapman" (ballad peddler), with whom she formed a common-law partnership. Kate, an extrovert with musical talent, became his "chaunter," singing and composing ballads, including one about her executed cousin, Charles Christopher Robinson. This nomadic life, though challenging, offered her a sense of freedom from conventional expectations.

Domestic violence and family estrangement. Kate and Thomas had three children, but their relationship was marked by Conway's violence and Kate's heavy drinking. Her sisters, Emma and Harriet, were horrified by her "dreadful face" from beatings and eventually broke off contact. After Conway left her, Kate found companionship with John Kelly, a market laborer, with whom she shared a love of drink and a hand-to-mouth existence in Whitechapel's lodging houses. Her family, including her daughter Annie, became estranged due to her persistent begging and drinking, leaving her isolated until her murder on September 30, 1888.

9. Mary Jane Kelly: The Enigma of a Fabricated Past and West End Life

Not a single statement made by Mary Jane about her life prior to her arrival in London has ever been verified.

A mysterious past. Mary Jane Kelly, who called herself "Marie Jeanette," presented a fabricated history to her lover, Joseph Barnett, and others. She claimed to be from Limerick, married a miner who died, and then moved to Cardiff before arriving in London. Her "well-to-do" background, "excellent scholarship," and artistic abilities, noted by acquaintances, suggest a middle-class upbringing, possibly in Wales, rather than the impoverished Irish background she often implied.

West End "gay life." Mary Jane's early London life was spent in "gay houses" in the West End, catering to wealthy gentlemen. She was described as "one of the smartest, nicest looking women in the neighbourhood," with a "fashionably stout, five-feet-seven-inch figure, blue eyes, and long luxuriant hair." She accumulated "costly dresses" and boasted of driving in carriages and leading "the life of a lady," suggesting a high-end prostitution career.

Trafficking and decline. A "gentleman" offered to take Mary Jane to Paris, but this was likely a trafficking attempt. She escaped, but the experience left her wary and unable to return to the West End. She moved to the Ratcliff Highway, a rougher area, where her drinking worsened. After a brief, failed attempt at domesticity with Joseph Fleming, she settled in Miller's Court, Whitechapel, with Joseph Barnett. Her return to soliciting after Barnett lost his job, and her increasing isolation, led to her murder on November 9, 1888, the most brutal of the Ripper's crimes.

10. Beyond the Ripper: Reclaiming Humanity and Challenging Enduring Misogyny

To insist otherwise is to fall back on arbitrary supposition informed by Victorian prejudice.

The enduring "prostitute" label. The persistent belief that Jack the Ripper's victims were "just prostitutes" is a legacy of Victorian prejudice, which served to dehumanize them and make their deaths more palatable to society. This label, often applied without evidence, allowed the public and authorities to dismiss their lives as inconsequential, reinforcing a moral code that punished women for deviating from accepted norms.

Modern echoes of misogyny. The author argues that this historical narrative perpetuates a subtle but pervasive misogyny that still exists today. By glorifying the killer and diminishing his victims, society implicitly condones violence against women who are deemed "bad" or "out of line." This is evident in modern legal cases where victims' lifestyles are used to mitigate the severity of crimes against them.

Restoring dignity. To truly silence the Ripper and challenge the misogynistic values he represents, we must reclaim the humanity of his victims. By understanding their complex lives—their struggles with poverty, addiction, societal judgment, and their individual hopes and dreams—we can restore the respect and compassion they were denied. They were not "just prostitutes"; they were daughters, wives, mothers, sisters, and human beings, whose stories deserve to be heard and remembered with dignity.

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