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Building and Dwelling

Building and Dwelling

Ethics for the City
by Richard Sennett 2018 368 pages
4.02
983 ratings
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Key Takeaways

1. The City's Dual Nature: Built Form (Ville) and Lived Experience (Cite)

The built environment is one thing, how people dwell in it another.

Fundamental distinction. The book introduces the core idea that a city is not merely a physical structure but also a complex tapestry of human perceptions, behaviors, and beliefs. This distinction is captured by the French terms ville (the physical, built environment) and cite (the lived experience or mentality of a place). While the ville encompasses buildings, infrastructure, and urban forms, the cite refers to how people inhabit these spaces, their feelings about neighbors and strangers, and their attachments to place.

Crooked reality. Immanuel Kant's observation that "out of the crooked timber of humanity, no straight thing was ever made" applies profoundly to cities. The cite is inherently diverse, unequal, and full of contradictions, reflecting the complexities of human nature. The challenge for urbanism is that the ville and cite rarely fit together seamlessly; attempts to straighten out social difficulties through physical plans often fail or create new problems, highlighting a fundamental asymmetry.

Ethical problem. This asymmetry poses a central ethical dilemma for urban planners: should the built environment reflect society as it is, or should it aim to change society? For instance, building gated communities might cater to existing prejudices, but an ethical urbanist might refuse, seeking to foster integration. However, simply imposing "ethical uprightness" through design can breed resentment and anger, demonstrating that the jaggedness between lived and built cannot be easily resolved.

2. Early Urbanism: Engineering Order, Neglecting Lived Complexity

Civil engineers became the craftsmen of the modern city, seeking to improve the quality of urban life through experimenting technically.

Engineers as heroes. The first urbanists to vigorously address the challenges of rapidly growing cities in the 19th century were civil engineers. Faced with public health crises like plague and cholera in dense, unsanitary cities, engineers like Joseph Bazalgette in London and Ildefons Cerdà in Barcelona became heroic figures. They innovated with infrastructure such as sewers, paved streets, and public urinals, believing that improving the physical ville would lead to more rational public health practices and a healthier cite.

Unforeseen consequences. Much of this early infrastructure building was "open" in an experimental sense; engineers often guessed and discovered by accident, not knowing the full knock-on effects of their inventions. For example, Bazalgette built London's sewers with larger diameters than immediately needed, anticipating future growth. The removal of filth from streets, while a public health triumph, also unintentionally made outdoor spaces more usable, leading to the rise of boulevard cafes and new social interactions.

Contrasting visions. Three key figures—Baron Haussmann (Paris), Ildefons Cerdà (Barcelona), and Frederick Law Olmsted (New York)—shaped the modern city with distinct approaches:

  • Haussmann: Created a networked Paris with wide boulevards to facilitate traffic and suppress insurrections, prioritizing spatial movement over local place.
  • Cerdà: Designed Barcelona's additive grid with generous open spaces, aiming for a hygienic and egalitarian city, though it later succumbed to monoculture.
  • Olmsted: Conceived Central Park as a "gregarious" space to promote social mixing and racial harmony through artificial landscapes, but its artificiality eventually led to social segregation.

These early efforts, while transformative, often imposed order without fully understanding or integrating the complex, "hard to read" lived experiences of the city's diverse populations.

3. The Divorce of Ville and Cite: Functionalism vs. Community

The built environment is more than a reflection of economics or politics; beyond these conditions, the forms of the built environment are the product of the maker's will.

Chicago's focus on cite. The Chicago School of Sociology, led by Robert E. Park, pioneered ethnographic fieldwork to understand the lived experience (cite) of modern urban dwellers, particularly immigrants and the poor. They emphasized personal narratives and local communities, resisting romanticized notions of "Gemeinschaft" (community) and challenging the separation of work and social life. However, they largely neglected the physical ville, often reducing city form to simplistic two-dimensional models like concentric zones, failing to connect their rich understanding of human experience to the complexities of built structures.

Corbusier's focus on ville. In stark contrast, Le Corbusier's Plan Voisin for Paris (1925) epitomized a radical focus on the ville, proposing to level historic quarters and erect uniform, X-shaped towers in a checkerboard grid. This vision, later codified in the influential Charter of Athens, prioritized functional efficiency, light, and air, treating the city as a "machine for living." It advocated for strict separation of functions (living, working, recreation, circulation) and the erasure of historical context, effectively divorcing the built form from the messy, lived realities of the cite.

The Mumford-Jacobs debate. This widening breach between cite and ville culminated in the fierce debate between Lewis Mumford and Jane Jacobs.

  • Jacobs: Championed bottom-up, slow-growth urbanism, celebrating mixed neighborhoods, informal street life, and local control. She saw the city as a dynamic, disorderly ecosystem where "eyes on the street" fostered safety and community, but paid less attention to formal design.
  • Mumford: Advocated for top-down, comprehensive planning, inspired by the "garden city" ideal, where nature and building coexisted in a balanced, orderly way. He believed in design as a tool for social reform and sustainability, criticizing Jacobs' "wild-cat urbanism" as insufficient to address large-scale urban problems.

This debate highlighted the enduring tension: whether the city should emerge organically from lived experience or be shaped by deliberate, large-scale design.

4. Navigating Difference: Exclusion, Isolation, and the Mask of Civility

The ethical compass of the urban novelists transcended any simple contrast between village virtue and urban vice.

The weight of difference. Cities are inherently diverse, bringing together people of different religions, races, ethnicities, and sexualities. This "weight of others" can lead to both moments of profound connection (like welcoming Syrian refugees in Munich) and intense hostility (like PEGIDA protests against Islamization). The book explores how societies manage or fail to manage these differences, often through physical and social mechanisms of exclusion or isolation.

Built forms of exclusion:

  • Heidegger's Hut: Represents a flight from the city and its human complexities, embodying a desire for simplification and exclusion of "alien" others (e.g., Jews). The formula "to exclude, simplify" suggests that clear, distinct forms can define who belongs and who doesn't.
  • Venetian Ghetto: A historical example of isolating a necessary but despised group (Jews) within the city. The ghetto's physical design (an island sealed off by bridges and walls) allowed for practical use of the Jewish community while socially containing them. This created "place-based rights" but also fostered a "necessary fiction" of solidarity among diverse Jewish groups.

Class and gentrification. Modern cities also exhibit class-based exclusion, often exacerbated by meritocracy, which personalizes inequality. Gentrification, a process where the affluent displace lower-income residents, physically separates classes, creating "class ghettos." This spatial segregation occurs even as digital connectivity creates a "death of distance" in the cite, where class differences are felt intimately through invidious personal comparisons.

The mask of civility. In mixed communities, superficial civilities—like polite exchanges in a newsagent's—can smooth over tensions and re-establish social connection after conflicts. This "mask of civility" involves hiding true feelings and avoiding foregrounding differences, prioritizing social cohesion over explicit truth. While it enables coexistence, it also highlights the challenge of genuine understanding and integration when deep differences remain unaddressed.

5. Technology's Double Edge: Prescriptive Control vs. Coordinative Openness

The devil in all this is what we call 'user-friendly' tech. It passifies.

Tocqueville's prophecy. Alexis de Tocqueville, in his 1840 volume of Democracy in America, foresaw a new kind of individual: detached, comfort-driven, and inward-looking, leading to an "equality of condition" where people desire the same things but are disengaged from larger societal concerns. This "individualism" is a dark prophecy for technology, as user-friendly tech can pacify and detach citizens, creating a "friction-free" experience that minimizes cognitive effort.

The Googleplex as a new ghetto. The Googleplex, with its self-contained environment offering every amenity, exemplifies a modern, corporate "ghetto." It insulates employees from the city's complexities, fostering a "detached creativity" that prioritizes internal collaboration while driving up external rents and homogenizing surrounding commercial spaces. This architecture, while designed to stimulate, paradoxically negates a key aspect of creative work: encounters with resistance and external reality checks.

Friction-free tech and cognitive loss. The ethos of "friction-free" technology, championed by figures like Bill Gates and Mark Zuckerberg, aims to make tech easy to use by hiding its complexities. However, this approach can lead to cognitive loss, as users are not challenged to think critically or engage with "generation effects" (learning from incomplete or contradictory information). Studies show that struggling with complex realities, rather than avoiding them, makes people more intelligent and attentive.

Two smart cities. The book distinguishes between two types of smart cities:

  • Prescriptive (Closed): Like Songdo (South Korea) or Masdar (UAE), these cities use technology for centralized control, prescribing behavior and optimizing efficiency through big data. They are often "ghost towns" that stupefy citizens by minimizing friction and problem-finding, leading to a loss of curiosity and engagement with place.
  • Coordinative (Open): Like Porto Alegre (Brazil) or ForCity (France), these cities use technology to coordinate diverse activities and enable citizen participation. They leverage real-time data to facilitate choices and allow for abductive reasoning ("what-if?" questions), fostering democratic deliberation and human intelligence by engaging with complexity rather than suppressing it.

The ethical choice lies in whether technology serves to control and simplify, or to coordinate and empower, shaping the cite to be either passive or actively intelligent.

6. The Competent Urbanite: Skills for Engaging Urban Complexity

Street-smarts are not optional.

Embodied knowledge. Navigating the complex urban environment requires "street-smarts," a form of embodied knowledge that goes beyond conscious thought. This involves:

  • Spotlighting: Focusing attention on specific details or ruptures in routine (like a light being out or a strange sound) to interpret meaning, as observed in the children of Medellin's Santo Domingo barrio.
  • Prehension: The body's ability to anticipate and act in advance of sensory data, like reaching for a glass before knowing its temperature, or a child calculating what's around a corner. This expands understanding of the physical environment.

Walking knowledge. Walking is a crucial mode of urban engagement, fostering a deeper connection to place than rapid transit.

  • Lateral accounting: The ability to process peripheral visual information while moving forward, allowing for a richer, more dimensional understanding of surroundings. This is why cyclists often know more about a city than motorists.
  • Positioning and scaling: Learning to orient oneself in unfamiliar spaces by identifying "landmarks" and physically experiencing distances (near/far, high/low). This transforms abstract spatial knowledge into concrete, embodied understanding.

Dialogic practices. Effective communication in diverse urban settings, especially with strangers, relies on "dialogics" – a concept from Mikhail Bakhtin emphasizing language's inherent "heteroglossia" (multiple voices and meanings). Key dialogical tools include:

  • Hearing the unsaid: Listening for meanings left inarticulate or contradictory, showing respect for the speaker's complex reality.
  • Subjunctive voice: Using tentative language ("I would have thought," "perhaps") to invite broader responses and collaborative exchange, rather than aggressive assertion.
  • "It voice": Speaking impersonally about societal issues rather than solely self-referentially, allowing for broader observation and critical judgment.
  • Informality: Engaging in unscripted conversations that allow for non-linear path dependencies, where unexpected clues can re-channel discussion and lead to new discoveries.

These skills enable urbanites, particularly migrants, to cope with displacement and navigate the city's complexities, fostering ego-strength and a nuanced understanding of "Erlebnis" (fresh experience) and "Erfahrung" (accumulated experience).

7. Designing Openness: Five Forms for a Dynamic City

Synchronous, Punctuated, Porous, Incomplete and Multiple forms do not exhaust all the possibilities at his disposal, but they are enough to turn his experiences into built form.

Principles for an open ville. To translate the competent urbanite's lived experience into physical form, the book proposes five "open forms" that foster complexity, engagement, and adaptability, contrasting with the closed, standardized designs of many modern cities.

The five open forms:

  • Synchronous: Spaces where many different activities happen simultaneously, like ancient agoras or Delhi's Nehru Place. These spaces are stimulating but can be disorienting, requiring careful design to invite mixing without overwhelming. A failed design for the National Mall in Washington D.C. showed the challenge of balancing multiple activities and avoiding sensory overload.
  • Punctuated: Using markers to give a space character and orientation.
    • Exclamation points: Bold monuments (like Roman obelisks) that declare importance, though they can lose their punch over time (e.g., Trafalgar Square).
    • Semicolons: Crossroads that create a "jolt" and shift in focus, differentiating activities between intersecting streets and avenues.
    • Quote marks: Subtle, often arbitrary markers (like a plastic bench or a Zen garden stone) that draw attention to a place's value or problematic nature, stimulating reflection.
  • Porous: Edges that function like cell membranes, allowing selective flow between inside and outside while retaining form. This contrasts with rigid "boundaries" that segregate. Nolli's map of Rome illustrates historical porosity. Urban membranes can be created by:
    • Percement: Cutting doors and windows into blank walls.
    • Liminal edges: Transitional spaces (like Aldo van Eyck's parks) that teach children to navigate between play areas and traffic without rigid barriers.
    • Porous sound: Designing sonic environments where distinct, intelligible sounds (like voices) can be heard above ambient noise, fostering social interaction.
  • Incomplete: Forms designed to be finished or adapted by inhabitants over time, like Alejandro Aravena's "half-houses" in Iquique, Chile. This fosters agency and allows for evolution, contrasting with rigid, "fit-for-purpose" buildings that quickly become obsolete. The "shell" building type (e.g., Georgian terraces) exemplifies this adaptability.
  • Multiple: Embracing a collage-like urban image rather than a single, clear, or dominant identity. This involves "seed-planning," where generic forms (like libraries) are repeated in different contexts, allowing for local variations and innovations, as seen in Medellin's diverse libraries. This approach counters the homogenizing effects of master plans and identity-based urban design.

These forms aim to create a ville that is dynamic, adaptable, and responsive to the diverse, evolving cite.

8. Co-Production: Bridging the Gap Between Makers and Dwellers

Co-production by contrast aims at making engagement matter to both sides, by having the technically trained maker and the life-experienced dweller generate the plans in the first place.

Beyond consultation. Traditional community "consultations" often involve planners presenting pre-determined proposals, leading to public outrage or passive acceptance. Co-production, however, seeks genuine engagement, where urbanists (makers) and urbanites (dwellers) collaboratively generate plans from the outset. This approach leverages open urban forms as orienting points for discussion and design.

Techniques for co-production:

  • Styrofoam models: Easy-to-cut, large-scale models allow residents to physically manipulate and combine component parts, exploring different design possibilities and understanding how structures might wear over time. This visual, tactile engagement fosters a "subjunctive voice" in design, focusing on "what if?" scenarios.
  • Plastic overlays: Large, transparent sheets stenciled with site data (e.g., outer form, traffic, pedestrian patterns) can be layered to visualize proposed changes. This allows communities to discover spatial relationships, like porosity, and debate different configurations, such as mixing elderly and adolescent housing.
  • Portfolios of parts: Catalogues of available construction materials and components, presented in an engaging graphic guise, empower communities to make informed choices about their built environment, even if their knowledge of possibilities is limited. This helps bridge the gap between expert knowledge and local preferences.

Expert exit and sociality. A crucial aspect of co-production is the "expert exit," where planners withdraw at a certain point, leaving the community to take ownership of decisions. This empowers residents, as seen in Cabrini-Green (Chicago) and post-civil war Beirut, where focusing on concrete tasks (like rubble clearance or electricity lines) fostered a "sullen truce" and practical cooperation among warring factions. This process cultivates "sociality" – a contained, impersonal fraternity based on sharing a productive task, rather than intimate bonding.

Co-production with machines. The coordinative smart city embodies co-production by using technology to enable citizen participation in real-time data analysis and urban modeling. This involves interacting with machines as "robots" (tools of limited scope but infinite power) rather than "replicants" (mimicking humans and inviting invidious comparisons). This "user-strange" approach encourages critical engagement and problem-finding, making the planning process more democratic and adaptable.

9. Time's Relentless Hand: Rupture, Accretion, and the Ethics of Repair

The poem conveys the obvious but neglected truth that time effaces the works of Man.

Ozymandias and Fortuna. Shelley's "Ozymandias" serves as a stark reminder that time inevitably effaces human creations. This truth is amplified by Lucretius' concept of "clinamens" – unpredictable "swerves" in the path of atoms that make life inherently uncertain. While the Enlightenment celebrated "serendipity" (happy accidents), climate change now presents Fortuna's destructive side, with erratic storms and temperature spikes challenging urban stability.

Climate change and urban design. Climate change casts two shadows:

  • Long-term inevitability: Predictable threats like fine-particulate air pollution (PM2.5) and rising sea levels, requiring massive investments in alternative energy and sustainable materials.
  • Short-term unpredictability: Erratic storms and droughts, demanding a rethink of water management. Historically, water management fostered cooperation (e.g., Dutch dykes), but modern urban aesthetics often prioritize "cleaning up" waterfronts at the expense of mixed social and economic uses.

Mitigation vs. adaptation. Two strategies address climate threats:

  • Mitigation: Aims to reduce trauma sources (e.g., high berms like New York's "Dryline" to repel storm surges). This approach seeks to maintain equilibrium and "resilience" by quickly springing back to normal, but can be rigid and ultimately insufficient against rising sea levels.
  • Adaptation: Works with trauma, accepting disruption and reshaping the built environment (e.g., "Living Breakwaters" around Staten Island, which are designed to erode and remake themselves, sustaining oyster beds). This approach is more modest, working with nature rather than trying to dominate it.

Rupture and accretion. Urban development unfolds through two temporal frames:

  • Accretion: Slow, adaptive growth, adding small elements over time (Jane Jacobs' "slow growth").
  • Rupture: Big, bold declarations that break existing patterns (e.g., Haussmann's boulevards, Corbusier's Plan Voisin). Modern buildings often have shorter lifespans due to rigid "fit-for-purpose" designs, leading to inevitable ruptures.

The challenge is to balance these, recognizing that while accretion fosters continuity, rupture can be an agent of justice and necessary for large-scale change, especially in megacities.

10. Modesty and Openness: The Ethical Imperative for Urban Life

Living one among many enables, in Robert Venturi's words, 'richness of meaning rather than clarity of meaning'. That is the ethics of an open city.

The Kantstrasse paradox. Kantstrasse in West Berlin, a long, diverse street, embodies the "unsocial sociability" described by Immanuel Kant: people coexist, maintain distance, and are "indifferent to difference." This indifference, while seemingly cold, allows for a form of toleration and non-interference, where strangers are not compelled to engage deeply but also do not actively shun. This contrasts with Adam Smith's idea of sympathy, where one imagines another's pain to offer help.

Beyond identification. The book argues against the "moral imperialism" of total identification ("I feel your pain"), which can lead to indifference towards those who remain "unbridgeably other." Instead, a Kantian cite fosters an "indifference to difference" that allows people to open up to those unlike themselves without needing to fully understand or identify with them. This is a more modest and realistic approach to coexistence in diverse urban environments.

The ethics of repair. The ultimate test of a city's quality is its reparability. "Resilience" in urbanism means the ability to recover from forces and pressures over time. Three forms of repair are crucial:

  • Restoration: Making an object look new, often erasing its history.
  • Remediation: Using modern materials to improve function, making the repair evident.
  • Reconfiguration: Using broken elements to create something new in both form and function, embracing invention and open-ended evolution.

Reconfiguration, aligned with the five open forms, allows the city to evolve, loosening the tie between form and function and fostering adaptability. This is an ethical approach that accepts turbulence and works with change, rather than against it.

An open urbanism. An open ville is characterized by its synchronous public spaces, punctuated markers, porous membranes, incomplete forms, and multiple, seed-planned developments. This approach avoids the "self-destructive emphasis on control and order" seen in past urbanism, which stifles evolution. The forms themselves acquire agency over time, independent of their makers' intentions. The ethical connection between urbanist and urbanite lies in practicing modesty: living "one among many," engaged by a world that does not merely mirror oneself, and embracing the "richness of meaning rather than clarity of meaning" that defines an open city.

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Review Summary

4.02 out of 5
Average of 983 ratings from Goodreads and Amazon.

Reviews for Building and Dwelling are mixed, averaging 4.02/5. Admirers praise its rich weaving of history, philosophy, and urban theory, finding it thought-provoking and influential in shaping thinking about city life. Critics, however, find it unfocused, overly dense, and poorly edited, with excessive jargon and meandering tangents. A recurring observation is Sennett's compelling distinction between the ville (built environment) and cité (lived experience), though many feel his practical recommendations for creating more open, flexible cities remain underdeveloped.

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About the Author

Richard Sennett is a sociologist and urban theorist whose work explores how individuals and groups derive meaning from cities and labor. Continuing the pragmatist tradition of William James and John Dewey, he uses ethnography, history, and social theory to examine personal identity, public life, and working-class experience. His wide-ranging bibliography spans urban design, capitalism's effects on workers, and the virtues of craftsmanship and cooperation. Notable works include The Fall of Public Man, The Corrosion of Character, The Craftsman, and Together, with Building and Dwelling completing his trilogy on everyday life skills.

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