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SoBrief

Язык Саммари книг

Action
Robert McKee • 2022
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
4.29
126
Action Саммари
Action
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
Robert McKee 2022 240 стр.
4.29
126 оценок
Who We're Reading When We're Reading Murakami
David Karashima • 2020
Your Murakami was crafted by translators who cut, reshaped, and sometimes rewrote him; this is how.
3.71
477
Who We're Reading When We're Reading Murakami Саммари
Who We're Reading When We're Reading Murakami
Your Murakami was crafted by translators who cut, reshaped, and sometimes rewrote him; this is how.
David Karashima 2020 304 стр.
3.71
477 оценок
Teaching English as a Foreign Language For Dummies
Michelle Maxom • 2009
Teach English abroad from scratch: lesson planning, classroom control, and grammar that clicks.
3.62
126
Teaching English as a Foreign Language For Dummies Саммари
Teaching English as a Foreign Language For Dummies
Teach English abroad from scratch: lesson planning, classroom control, and grammar that clicks.
Michelle Maxom 2009 400 стр.
3.62
126 оценок
Characters, Emotion & Viewpoint
Nancy Kress • 2005
Viewpoint controls what your readers know, who they root for, and what the story finally means.
4.05
2 000+
Characters, Emotion & Viewpoint Саммари
Characters, Emotion & Viewpoint
Viewpoint controls what your readers know, who they root for, and what the story finally means.
Nancy Kress 2005 232 стр.
4.05
2 000+ оценок
Пруст и кальмар
Марианна Вулф • 2007
Reading isn't genetic. The brain built it by recycling circuits meant for hunting and speech.
3.85
8 000+
Пруст и кальмар Саммари
Пруст и кальмар
Reading isn't genetic. The brain built it by recycling circuits meant for hunting and speech.
Марианна Вулф 2007 308 стр.
3.85
8 000+ оценок
Writing Fiction
Alexander Steele • 2003
The fiction curriculum from New York's most acclaimed writing workshop, now in book form.
4.20
2 000+
Writing Fiction Саммари
Writing Fiction
The fiction curriculum from New York's most acclaimed writing workshop, now in book form.
Alexander Steele 2003 304 стр.
4.20
2 000+ оценок
Magic Words
Tim David • 2014
Seven ordinary words with outsized influence: the psychology of each, and when to use them.
3.92
359
Magic Words Саммари
Magic Words
Seven ordinary words with outsized influence: the psychology of each, and when to use them.
Tim David 2014 160 стр.
3.92
359 оценок
Once Upon an Algorithm
Martin Erwig • 2017
What Hansel and Gretel, Sherlock Holmes, and Groundhog Day can teach you about algorithms.
3.63
265
Once Upon an Algorithm Саммари
Once Upon an Algorithm
What Hansel and Gretel, Sherlock Holmes, and Groundhog Day can teach you about algorithms.
Martin Erwig 2017 336 стр.
3.63
265 оценок
Word Painting
Rebecca McClanahan • 2014
Most writing advice says 'show, don't tell.' This one teaches you how, sense by sense.
4.13
500+
Word Painting Саммари
Word Painting
Most writing advice says 'show, don't tell.' This one teaches you how, sense by sense.
Rebecca McClanahan 2014 250 стр.
4.13
500+ оценок
Babel No More
Michael Erard • 2012
Legendary language learners aren't geniuses. They're obsessive collectors with shallow skills.
3.54
1 000+
Babel No More Саммари
Babel No More
Legendary language learners aren't geniuses. They're obsessive collectors with shallow skills.
Michael Erard 2012 306 стр.
3.54
1 000+ оценок
Words Can Change Your Brain
Andrew B. Newberg • 2012
Your words flood the listener's brain with stress or trust hormones. The choice is trainable.
3.79
1 000+
Words Can Change Your Brain Саммари
Words Can Change Your Brain
Your words flood the listener's brain with stress or trust hormones. The choice is trainable.
Andrew B. Newberg 2012 267 стр.
3.79
1 000+ оценок
Write to the Point How to be Clear, Correct and Persuasive on the Page
Sam Leith • 2017
From Aristotle to email, the sentence craft that makes readers absorb ideas before they can resist.
3.73
195
Write to the Point How to be Clear, Correct and Persuasive on the Page Саммари
Write to the Point How to be Clear, Correct and Persuasive on the Page
From Aristotle to email, the sentence craft that makes readers absorb ideas before they can resist.
Sam Leith 2017 288 стр.
3.73
195 оценок
The Art of Intimacy
Stacey D'Erasmo • 2013
Fiction's real intimacy lives in the subjunctive, the white space, and the shared glance.
3.93
248
The Art of Intimacy Саммари
The Art of Intimacy
Fiction's real intimacy lives in the subjunctive, the white space, and the shared glance.
Stacey D'Erasmo 2013 144 стр.
3.93
248 оценок
The Martin Buber–Carl Rogers Dialogue
Rob Anderson • 1997
The Buber-Rogers dialogue shaped modern therapy. For forty years, the transcript was wrong.
4.16
31
The Martin Buber–Carl Rogers Dialogue Саммари
The Martin Buber–Carl Rogers Dialogue
The Buber-Rogers dialogue shaped modern therapy. For forty years, the transcript was wrong.
Rob Anderson 1997 150 стр.
4.16
31 оценок
How to Write a Novel Using the Snowflake Method
Randy Ingermanson • 2014
From one sentence to a full novel draft, one step at a time, without the pain.
4.24
2 000+
How to Write a Novel Using the Snowflake Method Саммари
How to Write a Novel Using the Snowflake Method
From one sentence to a full novel draft, one step at a time, without the pain.
Randy Ingermanson 2014 234 стр.
4.24
2 000+ оценок
Linguistic Fingerprints
Roger J. Kreuz • 2023
The hidden patterns in your words identify you better than fingerprints: stylometry reads them.
3.50
20
Linguistic Fingerprints Саммари
Linguistic Fingerprints
The hidden patterns in your words identify you better than fingerprints: stylometry reads them.
Roger J. Kreuz 2023 245 стр.
3.50
20 оценок
The Art of Subtext
Charles Baxter • 2007
What a character won't say, can't hear, and can't admit: the hidden engine of unforgettable fiction.
4.02
1 000+
The Art of Subtext Саммари
The Art of Subtext
What a character won't say, can't hear, and can't admit: the hidden engine of unforgettable fiction.
Charles Baxter 2007 182 стр.
4.02
1 000+ оценок
Writing Is Designing
Michael J. Metts • 2020
Interface words are design elements, not just content. Research and strategy to get them right.
4.29
500+
Writing Is Designing Саммари
Writing Is Designing
Interface words are design elements, not just content. Research and strategy to get them right.
Michael J. Metts 2020 200 стр.
4.29
500+ оценок
The Creative Writing Coursebook
Julia Bell • 2001
Forty authors teach the exercises and craft tools that turn rough drafts into publishable work.
3.95
363
The Creative Writing Coursebook Саммари
The Creative Writing Coursebook
Forty authors teach the exercises and craft tools that turn rough drafts into publishable work.
Julia Bell 2001 449 стр.
3.95
363 оценок
Semicolon
Cecelia Watson • 2019
How a semicolon started a grammar war: the rules we invented, the people they hurt.
3.68
2 000+
Semicolon Саммари
Semicolon
How a semicolon started a grammar war: the rules we invented, the people they hurt.
Cecelia Watson 2019 224 стр.
3.68
2 000+ оценок
The Writer's Portable Mentor
Priscilla Long • 2010
A portable system for making writing a daily practice, mastering sentences, and getting published.
4.48
361
The Writer's Portable Mentor Саммари
The Writer's Portable Mentor
A portable system for making writing a daily practice, mastering sentences, and getting published.
Priscilla Long 2010
4.48
361 оценок
English Grammar
Sean Williams • 2019
Your grammar mistakes aren't random: a predictable hundred that mark you as careless.
4.15
147
English Grammar Саммари
English Grammar
Your grammar mistakes aren't random: a predictable hundred that mark you as careless.
Sean Williams 2019 184 стр.
4.15
147 оценок
Demystifying the Spanish Subjunctive
Gordon Smith-Durán • 2015
Spanish subjunctive: five trigger families replace the rulebook, and practice makes it permanent.
4.50
54
Demystifying the Spanish Subjunctive Саммари
Demystifying the Spanish Subjunctive
Spanish subjunctive: five trigger families replace the rulebook, and practice makes it permanent.
Gordon Smith-Durán 2015 358 стр.
4.50
54 оценок
Becoming a Writer, Staying a Writer
J. Michael Straczynski • 2021
Writer's block is a myth. Revise like a surgeon, diversify across media, and outlast the industry.
4.44
439
Becoming a Writer, Staying a Writer Саммари
Becoming a Writer, Staying a Writer
Writer's block is a myth. Revise like a surgeon, diversify across media, and outlast the industry.
J. Michael Straczynski 2021 288 стр.
4.44
439 оценок
Churchill
Winston S. Churchill • 2012
His speeches held Britain together when the bombs fell, then drew the Cold War's battle lines.
4.28
500+
Churchill Саммари
Churchill
His speeches held Britain together when the bombs fell, then drew the Cold War's battle lines.
Winston S. Churchill 2012 688 стр.
4.28
500+ оценок
The 7 Principles of Public Speaking
Richard Zeoli • 2008
Your audience wants to be helped, not impressed. Serve them, and stage fright fades.
3.68
362
The 7 Principles of Public Speaking Саммари
The 7 Principles of Public Speaking
Your audience wants to be helped, not impressed. Serve them, and stage fright fades.
Richard Zeoli 2008 224 стр.
3.68
362 оценок
Mastering Plot Twists
Jane K. Cleland • 2018
Why your plot twists fall flat: the real conflict is never external.
3.88
199
Mastering Plot Twists Саммари
Mastering Plot Twists
Why your plot twists fall flat: the real conflict is never external.
Jane K. Cleland 2018 240 стр.
3.88
199 оценок
Introduction to Psycholinguistics
Danny D. Steinberg • 1995
How children acquire language, why adults struggle with a second, and what feral children teach us.
3.96
107
Introduction to Psycholinguistics Саммари
Introduction to Psycholinguistics
How children acquire language, why adults struggle with a second, and what feral children teach us.
Danny D. Steinberg 1995 288 стр.
3.96
107 оценок
Greek to Me
Mary Norris • 2019
One copy editor's love affair with Greek: ancient ruins, Aegean swims, and a nation in turmoil.
3.63
2 000+
Greek to Me Саммари
Greek to Me
One copy editor's love affair with Greek: ancient ruins, Aegean swims, and a nation in turmoil.
Mary Norris 2019 240 стр.
3.63
2 000+ оценок
1,000 Creative Writing Prompts
Bryan Cohen • 2010
A thousand prompts and a one-month plan: write daily and the blank page stops winning.
3.63
251
1,000 Creative Writing Prompts Саммари
1,000 Creative Writing Prompts
A thousand prompts and a one-month plan: write daily and the blank page stops winning.
Bryan Cohen 2010 117 стр.
3.63
251 оценок
Dreaming in Hindi
Katherine Russell Rich • 2009
After cancer, she went to India. Learning Hindi broke her brain open and rebuilt it.
3.12
1 000+
Dreaming in Hindi Саммари
Dreaming in Hindi
After cancer, she went to India. Learning Hindi broke her brain open and rebuilt it.
Katherine Russell Rich 2009 360 стр.
3.12
1 000+ оценок
Woe Is I
Patricia T. O'Conner • 1996
Most grammar rules aren't rules at all. Here are the few that actually clarify your writing.
3.94
4 000+
Woe Is I Саммари
Woe Is I
Most grammar rules aren't rules at all. Here are the few that actually clarify your writing.
Patricia T. O'Conner 1996 240 стр.
3.94
4 000+ оценок
Beyond Human Nature
Jesse J. Prinz • 2011
Language, emotions, gender, and thought: how culture builds the mind that biology only primes.
3.69
246
Beyond Human Nature Саммари
Beyond Human Nature
Language, emotions, gender, and thought: how culture builds the mind that biology only primes.
Jesse J. Prinz 2011 402 стр.
3.69
246 оценок
Making Shapely Fiction
Jerome Stern • 1991
Story templates over pep talks: pick a shape, fill it with detail, and turn idea into draft.
3.98
1 000+
Making Shapely Fiction Саммари
Making Shapely Fiction
Story templates over pep talks: pick a shape, fill it with detail, and turn idea into draft.
Jerome Stern 1991 270 стр.
3.98
1 000+ оценок
Wired for Culture
Mark Pagel • 2012
Culture isn't a byproduct of big brains. It's the reason we have them.
3.86
296
Wired for Culture Саммари
Wired for Culture
Culture isn't a byproduct of big brains. It's the reason we have them.
Mark Pagel 2012 432 стр.
3.86
296 оценок
The Everything Sign Language Book
Irene Duke • 2003
A slight hand turn changes the word. Your face does the grammar. The complete ASL manual.
3.98
168
The Everything Sign Language Book Саммари
The Everything Sign Language Book
A slight hand turn changes the word. Your face does the grammar. The complete ASL manual.
Irene Duke 2003 304 стр.
3.98
168 оценок
Copywriting
Mark Shaw • 2009
Your reader is scanning, not reading. The copywriter's craft for making every word count.
4.04
451
Copywriting Саммари
Copywriting
Your reader is scanning, not reading. The copywriter's craft for making every word count.
Mark Shaw 2009 216 стр.
4.04
451 оценок
A Writer's Notebook
Ralph Fletcher • 1996
A notebook habit turns raw noticing into finished writing. Everything starts with what you catch.
4.06
1 000+
A Writer's Notebook Саммари
A Writer's Notebook
A notebook habit turns raw noticing into finished writing. Everything starts with what you catch.
Ralph Fletcher 1996 138 стр.
4.06
1 000+ оценок
The Naive and the Sentimental Novelist
Orhan Pamuk • 2010
Why great novels put you in a trance even as you know every word is invented.
3.95
3 000+
The Naive and the Sentimental Novelist Саммари
The Naive and the Sentimental Novelist
Why great novels put you in a trance even as you know every word is invented.
Orhan Pamuk 2010 81 стр.
3.95
3 000+ оценок
Korean Made Simple
Billy Go • 2014
Korean isn't English with different words. The verb goes last, and politeness has two settings.
4.42
235
Korean Made Simple Саммари
Korean Made Simple
Korean isn't English with different words. The verb goes last, and politeness has two settings.
Billy Go 2014 348 стр.
4.42
235 оценок
Thinking Like Your Editor
Susan Rabiner • 2002
Trade editors don't acquire books; they acquire audiences. Your proposal has to prove you have one.
4.10
500+
Thinking Like Your Editor Саммари
Thinking Like Your Editor
Trade editors don't acquire books; they acquire audiences. Your proposal has to prove you have one.
Susan Rabiner 2002 288 стр.
4.10
500+ оценок
The Ancient Celts
Barry Cunliffe • 2018
Two millennia of reinvention: the Celts as barbarians, noble savages, and nationalist ancestors.
3.92
1 000+
The Ancient Celts Саммари
The Ancient Celts
Two millennia of reinvention: the Celts as barbarians, noble savages, and nationalist ancestors.
Barry Cunliffe 2018 360 стр.
3.92
1 000+ оценок
The Language Instinct
Steven Pinker • 1994
Children don't learn language; they reinvent it, driven by grammar etched into the brain.
4.01
22 000+
The Language Instinct Саммари
The Language Instinct
Children don't learn language; they reinvent it, driven by grammar etched into the brain.
Steven Pinker 1994 448 стр.
4.01
22 000+ оценок
Critical Thinking
Tracy Bowell • 2001
Map an argument's structure, test its logic, and know when rhetoric is doing the work.
3.82
249
Critical Thinking Саммари
Critical Thinking
Map an argument's structure, test its logic, and know when rhetoric is doing the work.
Tracy Bowell 2001 294 стр.
3.82
249 оценок
The Unfolding of Language
Guy Deutscher • 2005
Language has no inventor. Its intricate architecture is the product of decay, not deliberate design.
4.22
4 000+
The Unfolding of Language Саммари
The Unfolding of Language
Language has no inventor. Its intricate architecture is the product of decay, not deliberate design.
Guy Deutscher 2005 368 стр.
4.22
4 000+ оценок
The Art of Public Speaking
Dale Carnegie • 2007
Absorb yourself in the message and fear evaporates. Vary your voice and the room leans in.
3.9
6 000+
The Art of Public Speaking Саммари
The Art of Public Speaking
Absorb yourself in the message and fear evaporates. Vary your voice and the room leans in.
Dale Carnegie 2007 512 стр.
3.9
6 000+ оценок
The Third Ear
Chris Lonsdale • 2006
The trick to fluency isn't a better textbook; it's learning to hear what words can't say.
3.76
139
The Third Ear Саммари
The Third Ear
The trick to fluency isn't a better textbook; it's learning to hear what words can't say.
Chris Lonsdale 2006 184 стр.
3.76
139 оценок
Monkeys with Typewriters
Scarlett Thomas • 2012
Fiction is craft, not chance: the rules for plot, character, and sentences that grip readers.
4.17
500+
Monkeys with Typewriters Саммари
Monkeys with Typewriters
Fiction is craft, not chance: the rules for plot, character, and sentences that grip readers.
Scarlett Thomas 2012 480 стр.
4.17
500+ оценок
Conflict and Suspense
James Scott Bell • 2011
Tension leaks from most manuscripts. The craft guide for sealing every scene with conflict.
4.26
500+
Conflict and Suspense Саммари
Conflict and Suspense
Tension leaks from most manuscripts. The craft guide for sealing every scene with conflict.
James Scott Bell 2011 273 стр.
4.26
500+ оценок
Raising a Bilingual Child
Barbara Zurer Pearson • 2008
The exposure minimum that predicts bilingual fluency, and the family strategies to get there.
3.84
360
Raising a Bilingual Child Саммари
Raising a Bilingual Child
The exposure minimum that predicts bilingual fluency, and the family strategies to get there.
Barbara Zurer Pearson 2008 368 стр.
3.84
360 оценок
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