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Intent to Live
by Larry Moss • 2004
A master coach on acting: find a script's secret, build the character, make the audience lean in.
4.49
772
Intent to Live Summary
Intent to Live 97%
A master coach on acting: find a script's secret, build the character, make the audience lean in.
by Larry Moss 2004
4.49
772 ratings
The Art of Acting
by Stella Adler • 2000
Acting is craft, not confession: the legendary teacher's philosophy that reshaped American theatre.
4.21
2k+
The Art of Acting Summary
The Art of Acting 97%
Acting is craft, not confession: the legendary teacher's philosophy that reshaped American theatre.
by Stella Adler 2000
4.21
2k+ ratings
Audition
by Michael Shurtleff • 1978
The audition belongs to you, not a character: bring your contradictions and your fight.
4.22
3k+
Audition Summary
Audition 96%
The audition belongs to you, not a character: bring your contradictions and your fight.
by Michael Shurtleff 1978
4.22
3k+ ratings
Sanford Meisner on Acting
by Sanford Meisner • 1987
Meisner trains actors to stop pretending and behave truthfully, moment to moment, off their partner.
4.19
3k+
Sanford Meisner on Acting Summary
Sanford Meisner on Acting 96%
Meisner trains actors to stop pretending and behave truthfully, moment to moment, off their partner.
by Sanford Meisner 1987
4.19
3k+ ratings
Directing Actors
by Judith Weston • 1996
Most directors give actors adjectives. The ones who get great performances give them verbs.
4.36
2k+
Directing Actors Summary
Directing Actors 95%
Most directors give actors adjectives. The ones who get great performances give them verbs.
by Judith Weston 1996
4.36
2k+ ratings
Stella Adler on America's Master Playwrights
by Stella Adler • 2012
Stella Adler's standard for American drama: why the play's world matters more than your feelings.
4.47
111
Stella Adler on America's Master Playwrights Summary
Stella Adler on America's Master Playwrights 94%
Stella Adler's standard for American drama: why the play's world matters more than your feelings.
by Stella Adler 2012
4.47
111 ratings
Memo from the Story Department
by Christopher Vogler • 2011
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
4.16
171
Memo from the Story Department Summary
Memo from the Story Department 93%
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
by Christopher Vogler 2011
4.16
171 ratings
Screenwriting Is Filmmaking
by Brian Dunnigan • 2020
Write screenplays that think like a camera: the craft of making films from the page up.
3.33
3
Screenwriting Is Filmmaking Summary
Screenwriting Is Filmmaking 93%
Write screenplays that think like a camera: the craft of making films from the page up.
by Brian Dunnigan 2020
3.33
3 ratings
Invisible Ink
by Brian McDonald • 2010
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
4.38
2k+
Invisible Ink Summary
Invisible Ink 93%
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
by Brian McDonald 2010
4.38
2k+ ratings
Dialogue
by Robert McKee • 2016
Dialogue is action, not conversation. The real meaning lives in what characters won't say.
4.32
2k+
Dialogue Summary
Dialogue 93%
Dialogue is action, not conversation. The real meaning lives in what characters won't say.
by Robert McKee 2016
4.32
2k+ ratings
Character
by Robert McKee • 2021
Forget imitating people. Memorable characters are metaphors built from inner contradictions.
4.29
445
Character Summary
Character 93%
Forget imitating people. Memorable characters are metaphors built from inner contradictions.
by Robert McKee 2021
4.29
445 ratings
Her Again
by Michael Schulman • 2016
A producer called her ugly in Italian at her first film audition. She understood every word.
3.62
3k+
Her Again Summary
Her Again 93%
A producer called her ugly in Italian at her first film audition. She understood every word.
by Michael Schulman 2016
3.62
3k+ ratings
Into the Woods
by John Yorke • 2013
Every story hides a fractal skeleton. From Greek tragedy to prestige TV, the bones are identical.
4.18
5k+
Into the Woods Summary
Into the Woods 92%
Every story hides a fractal skeleton. From Greek tragedy to prestige TV, the bones are identical.
by John Yorke 2013
4.18
5k+ ratings
The Secrets of Character
by Matt Bird • 2022
Plot draws them in. Hero keeps them there. A character-first toolkit for the opening ten.
4.10
278
The Secrets of Character Summary
The Secrets of Character 92%
Plot draws them in. Hero keeps them there. A character-first toolkit for the opening ten.
by Matt Bird 2022
4.10
278 ratings
Action
by Robert McKee • 2022
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
4.29
126
Action Summary
Action 92%
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
by Robert McKee 2022
4.29
126 ratings
Writing for Emotional Impact
by Karl Iglesias • 2005
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
4.27
710
Writing for Emotional Impact Summary
Writing for Emotional Impact 92%
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
by Karl Iglesias 2005
4.27
710 ratings
The Story Solution
by Eric Edson • 2012
The 23-step structural blueprint that turns a screenplay into an emotional ride.
4.32
222
The Story Solution Summary
The Story Solution 92%
The 23-step structural blueprint that turns a screenplay into an emotional ride.
by Eric Edson 2012
4.32
222 ratings
Aristotle's Poetics for Screenwriters
by Michael Tierno • 2002
The screenwriting manual hiding inside a 2,300-year-old Greek text, decoded for your next draft.
3.84
639
Aristotle's Poetics for Screenwriters Summary
Aristotle's Poetics for Screenwriters 92%
The screenwriting manual hiding inside a 2,300-year-old Greek text, decoded for your next draft.
by Michael Tierno 2002
3.84
639 ratings
The Art and Craft of Writing
by L. Jagi Lamplighter • 2021
Scenes that land: emotional reversals, dual threads, and characters who want two things at once.
4.33
9
The Art and Craft of Writing Summary
The Art and Craft of Writing 91%
Scenes that land: emotional reversals, dual threads, and characters who want two things at once.
by L. Jagi Lamplighter 2021
4.33
9 ratings
Save the Cat! Writes for TV
by Jamie Nash • 2021
Board it. Beat it. Weave it: the writers' room method for structuring a pilot that sells.
4.31
423
Save the Cat! Writes for TV Summary
Save the Cat! Writes for TV 91%
Board it. Beat it. Weave it: the writers' room method for structuring a pilot that sells.
by Jamie Nash 2021
4.31
423 ratings
Write It, Pitch It, Sell Your Screenplay
by DMA/Donna Michelle Anderson • 2015
The story framework and pitch strategy industry insiders expect, from a former script evaluator.
4.50
8
Write It, Pitch It, Sell Your Screenplay Summary
Write It, Pitch It, Sell Your Screenplay 91%
The story framework and pitch strategy industry insiders expect, from a former script evaluator.
by DMA/Donna Michelle Anderson 2015
4.50
8 ratings
The 101 Habits of Highly Successful Screenwriters
by Karl Iglesias • 2001
101 screenwriters reveal the habits that separate careers that sell from ones that stall.
3.87
479
The 101 Habits of Highly Successful Screenwriters Summary
The 101 Habits of Highly Successful Screenwriters 91%
101 screenwriters reveal the habits that separate careers that sell from ones that stall.
by Karl Iglesias 2001
3.87
479 ratings
How to Write a Novel Using the Snowflake Method
by Randy Ingermanson • 2014
From one sentence to a full novel draft, one step at a time, without the pain.
4.24
3k+
How to Write a Novel Using the Snowflake Method Summary
How to Write a Novel Using the Snowflake Method 91%
From one sentence to a full novel draft, one step at a time, without the pain.
by Randy Ingermanson 2014
4.24
3k+ ratings
Save the Cat! Strikes Back
by Blake Snyder • 2009
Script problems aren't failure. They're the raw material of every breakthrough draft.
4.17
1k+
Save the Cat! Strikes Back Summary
Save the Cat! Strikes Back 91%
Script problems aren't failure. They're the raw material of every breakthrough draft.
by Blake Snyder 2009
4.17
1k+ ratings
Super Structure
by James Scott Bell • 2015
Your story's midpoint holds the key. A flexible framework of beats for outliners and pantsers alike.
4.40
942
Super Structure Summary
Super Structure 91%
Your story's midpoint holds the key. A flexible framework of beats for outliners and pantsers alike.
by James Scott Bell 2015
4.40
942 ratings
Million Dollar Outlines
by David Farland • 2013
An outlining method that pressure-tests your plot, designed to sell a novel on proposal.
4.16
844
Million Dollar Outlines Summary
Million Dollar Outlines 91%
An outlining method that pressure-tests your plot, designed to sell a novel on proposal.
by David Farland 2013
4.16
844 ratings
How Sondheim Can Change Your Life
by Richard Schoch • 2024
Regret, ambition, the terror of intimacy: the life lessons Sondheim smuggled into his musicals.
3.90
631
How Sondheim Can Change Your Life Summary
How Sondheim Can Change Your Life 91%
Regret, ambition, the terror of intimacy: the life lessons Sondheim smuggled into his musicals.
by Richard Schoch 2024
3.90
631 ratings
Story Physics
by Larry Brooks • 2013
Great stories aren't magic. They're physics. Once you know the laws, broken drafts fix themselves.
3.92
475
Story Physics Summary
Story Physics 91%
Great stories aren't magic. They're physics. Once you know the laws, broken drafts fix themselves.
by Larry Brooks 2013
3.92
475 ratings
Your Creative Writing Masterclass
by Jürgen Wolff • 2012
A hundred great novelists teach you fiction's craft secrets, from character to voice.
3.88
182
Your Creative Writing Masterclass Summary
Your Creative Writing Masterclass 91%
A hundred great novelists teach you fiction's craft secrets, from character to voice.
by Jürgen Wolff 2012
3.88
182 ratings
Conflict and Suspense
by James Scott Bell • 2011
Tension leaks from most manuscripts. The craft guide for sealing every scene with conflict.
4.26
934
Conflict and Suspense Summary
Conflict and Suspense 91%
Tension leaks from most manuscripts. The craft guide for sealing every scene with conflict.
by James Scott Bell 2011
4.26
934 ratings
Writing Deep Scenes
by Martha Alderson • 2015
Three layers power every great scene. Learn to weave them so readers feel, not just follow.
4.09
318
Writing Deep Scenes Summary
Writing Deep Scenes 91%
Three layers power every great scene. Learn to weave them so readers feel, not just follow.
by Martha Alderson 2015
4.09
318 ratings
Dynamic Characters
by Nancy Kress • 1998
Before you outline another scene, ask what your character fears. The answer is your plot.
4.09
562
Dynamic Characters Summary
Dynamic Characters 91%
Before you outline another scene, ask what your character fears. The answer is your plot.
by Nancy Kress 1998
4.09
562 ratings
The Fire in Fiction
by Donald Maass • 2009
An agent's field guide to the invisible craft that turns a flat manuscript into a page-turner.
4.17
2k+
The Fire in Fiction Summary
The Fire in Fiction 91%
An agent's field guide to the invisible craft that turns a flat manuscript into a page-turner.
by Donald Maass 2009
4.17
2k+ ratings
How to Write a Damn Good Novel
by James N. Frey • 1987
Step-by-step dramatic craft for building a novel from premise to final draft. No muse required.
3.87
3k+
How to Write a Damn Good Novel Summary
How to Write a Damn Good Novel 91%
Step-by-step dramatic craft for building a novel from premise to final draft. No muse required.
by James N. Frey 1987
3.87
3k+ ratings
How to Write a Damn Good Thriller
by James N. Frey • 2010
From villain to climax, the essential rules for a thriller that readers cannot put down.
3.79
321
How to Write a Damn Good Thriller Summary
How to Write a Damn Good Thriller 91%
From villain to climax, the essential rules for a thriller that readers cannot put down.
by James N. Frey 2010
3.79
321 ratings
Pixar Storytelling
by Dean Movshovitz • 2017
Pixar's narrative playbook: what makes a concept rich, a character stick, and an ending feel earned.
3.95
903
Pixar Storytelling Summary
Pixar Storytelling 91%
Pixar's narrative playbook: what makes a concept rich, a character stick, and an ending feel earned.
by Dean Movshovitz 2017
3.95
903 ratings
Revision & Self-Editing
by James Scott Bell • 2008
A big-picture-first revision system: fix your novel's bones before you polish a single sentence.
4.19
2k+
Revision & Self-Editing Summary
Revision & Self-Editing 91%
A big-picture-first revision system: fix your novel's bones before you polish a single sentence.
by James Scott Bell 2008
4.19
2k+ ratings
Wired for Story
by Lisa Cron • 2012
Your reader's brain evolved to crave story. Neuroscience now knows what it expects from yours.
4.20
6k+
Wired for Story Summary
Wired for Story 91%
Your reader's brain evolved to crave story. Neuroscience now knows what it expects from yours.
by Lisa Cron 2012
4.20
6k+ ratings
The Emotional Craft of Fiction
by Donald Maass • 2016
Move past showing versus telling: design a story that gives readers their own emotional journey.
4.25
3k+
The Emotional Craft of Fiction Summary
The Emotional Craft of Fiction 91%
Move past showing versus telling: design a story that gives readers their own emotional journey.
by Donald Maass 2016
4.25
3k+ ratings
Making It So
by Patrick Stewart • 2023
Star Trek was a six-week gig, he thought. Then Shakespeare met the starship.
4.29
20k+
Making It So Summary
Making It So 91%
Star Trek was a six-week gig, he thought. Then Shakespeare met the starship.
by Patrick Stewart 2023
4.29
20k+ ratings
Improvise. Scene from the Inside Out
by Mick Napier • 2004
Improv rules make you timid. The key to great scenes is bold action before your brain objects.
4.28
1k+
Improvise. Scene from the Inside Out Summary
Improvise. Scene from the Inside Out 91%
Improv rules make you timid. The key to great scenes is bold action before your brain objects.
by Mick Napier 2004
4.28
1k+ ratings
The Anatomy of Genres
by John Truby • 2022
Genres are philosophies disguised as story types. Crack the beats and you crack writing and life.
4.21
607
The Anatomy of Genres Summary
The Anatomy of Genres 91%
Genres are philosophies disguised as story types. Crack the beats and you crack writing and life.
by John Truby 2022
4.21
607 ratings
How to Write a Dynamite Scene Using the Snowflake Method
by Randy Ingermanson • 2018
Two scene patterns drive every novel: one forces a setback, the other forces a hard choice.
4.33
634
How to Write a Dynamite Scene Using the Snowflake Method Summary
How to Write a Dynamite Scene Using the Snowflake Method 91%
Two scene patterns drive every novel: one forces a setback, the other forces a hard choice.
by Randy Ingermanson 2018
4.33
634 ratings
The Art of Fiction
by John Gardner • 1984
Master the craft that makes readers forget the page and live inside your story.
3.99
6k+
The Art of Fiction Summary
The Art of Fiction 91%
Master the craft that makes readers forget the page and live inside your story.
by John Gardner 1984
3.99
6k+ ratings
Writing 21st Century Fiction
by Donald Maass • 2012
Plot alone won't keep readers. The craft of making scenes and sentences pull with equal force.
4.34
882
Writing 21st Century Fiction Summary
Writing 21st Century Fiction 91%
Plot alone won't keep readers. The craft of making scenes and sentences pull with equal force.
by Donald Maass 2012
4.34
882 ratings
And Then One Day
by Naseeruddin Shah • 2014
His birth year was a mystery. Bollywood wanted a hero. He gave them an actor instead.
4.02
2k+
And Then One Day Summary
And Then One Day 91%
His birth year was a mystery. Bollywood wanted a hero. He gave them an actor instead.
by Naseeruddin Shah 2014
4.02
2k+ ratings
A Curious Mind
by Brian Grazer • 2014
What a Hollywood producer learned from decades of asking total strangers for one-hour conversations.
3.41
6k+
A Curious Mind Summary
A Curious Mind 90%
What a Hollywood producer learned from decades of asking total strangers for one-hour conversations.
by Brian Grazer 2014
3.41
6k+ ratings
Damn Fine Story
by Chuck Wendig • 2017
Storytelling starts when a character's world breaks. The tools for what comes next.
4.36
1k+
Damn Fine Story Summary
Damn Fine Story 90%
Storytelling starts when a character's world breaks. The tools for what comes next.
by Chuck Wendig 2017
4.36
1k+ ratings
The Art of Subtext
by Charles Baxter • 2007
What a character won't say, can't hear, and can't admit: the hidden engine of unforgettable fiction.
4.02
1k+
The Art of Subtext Summary
The Art of Subtext 90%
What a character won't say, can't hear, and can't admit: the hidden engine of unforgettable fiction.
by Charles Baxter 2007
4.02
1k+ ratings
Monkeys with Typewriters
by Scarlett Thomas • 2012
Fiction is craft, not chance: the rules for plot, character, and sentences that grip readers.
4.17
534
Monkeys with Typewriters Summary
Monkeys with Typewriters 90%
Fiction is craft, not chance: the rules for plot, character, and sentences that grip readers.
by Scarlett Thomas 2012
4.17
534 ratings
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